ON THE AIR

Hawke's Bay Tribune, Volume XVII, 6 December 1927, Page 9

ON THE AIR

PROGRAMMES FOR TO-NIGHT IYA, Auckland—6 p.m.: Children's hour. 7.15: News and reports. 9: Chimes; baritone solos. Mr. Stan. Pritchard, selected; instrumental, Ingall’s Hawaiian Instrumentalists, (a) "Invereargill March,” (b) “Moonlight andßoses”; uumour, Mr. J A. Sharp, “Humour”; relay of orchestral overture from Majestic Theatre Oichestra under the direction of Mr. J. Whiteford- Waugh; monologue, Miss Winifred Croslier, “My Mill’; contralto solos. Miss Edna Peace, (a) “Ave Maria.” Kahn (b) “Home Love,” Richardson; violin solos Mr. Martin Richardsons (a) “Spring Song,” Mendelssohn, (b) "Hindoo Chant,’’ Kreisler; soprano solo Miss Doris Bayne “Carmena,” Wilson; relay of orchestral interlude from Majestic Theatre; weather forecast; baritone solo, Mr. S. Pritchard, selected; humour, Mr. J. A. Sharp, humour again; instrumental; Ingall’s Hawaiian Instrumentalists, a) “Ilaerera,” (b) "Kilima Waltz,” (c) “Tell Me With Smiles”; contralto solo. Miss E. Peace. “Will He Come?” Sullivan; elocutionary. Miss W. Crosher (a) ‘‘Parody on Shakespeare’s ‘Hamlet’ ” ; relay of musical entr-acte from Strand Theatre; soprano solos. Miss D Bayne, (a) “The Perfect Prayer,” Day (b) ‘‘Love's a Merchant,” Carew: violin solo, Mr. M. Richardson, “First Mazuraka,” Henry.

2YA, Wellington.—6 p.m.: Children’s hour, another trip on the radio express with Mr. Stewart ana vnv.-e Jasper; away to Russell, deep-sea fishing. 7: News session, market reports and sports results. 7.40: I<ecturette. Mr. E. A. Bradshaw, “Carburetjon an f | Carburetter Adjustment.” 8; Chimes of the G.P.O. clock. Wellington; overture. “Prelude in C Sharp Minor,” Rachmaninoff; vocal and concerted items by the members of the Wellington Harmonic Society; madrigal. Harmonic Society, "Sister Awoke,” Bateson - voca’ dpet Messrs E. W. Robbins and C W. Shannon, ‘‘The Buttle Eve.” Bon. hour: part song, Harmonic Society. “Here a Pretty Baby Lies,” Gordon, instrumental trio. Symons-Ellwood-Short Trio. “First and Second Movements. Double Sonata,” Handel; folk song. Harmonic Society. “Laird of Cockpen,” Robertson: contralto snlo, .Miss J Sutherland. “Yonder," Oliver: the Harmonic Quartet, in vocal numbers: 'cello solo, Air. Geo. Ellwood. “Siciliehne,” Fiuire; tenor solo Mr. Frank Bryant. “I Heard You Singing,” Coates; choral dance, Harmonic Society, “Pan,” Boughton; weather forecast; lecturette Mr. A. J. Day, “Whales: Species, Habits, etc”; part song. Harmonic Society, “We Have Fed Our Sea,” Grainger; instrumental trio. Symons-Ellwbod-Short Trio. “Third Movement, Double Sonata,” Handel: part song. Harmonic Society. “Irish Tune." Grainger; soprano solo, Miss M. Goodwill, “Dream o’ Day Jill,” from “Tom Jones.” German; 'cello solo, Mr. Geo. Ellwood, “Chanson Louis Xltl. and iPavana,” CouperinKreisler: male part song, “Harmonic Society, “Every Rustling Tree,’’ Kuhlnn; baritone solo, Mr, R, R. Orr, “The Lute Player.” Peel; part song. Harmonic Society. “Marry Me, Mnrv Veen.” L.yon: choral fantasia, Harmonic Society, “Faust,” Gounod, an-. Chailoner.

4YA, Dunedin.—6 p.m.: Children’s hour, Big Brother Bill leaves 4YA m the wonder car at 6 o’clock exactly. All aboard for a trip under tlie s6.i. See the forests of seaweed anil the queer and lovely things that live there. An exciting advehture 'with an octopus. 7; Town Hall chimes. 7.1: News session. 8: Town Hull chimes; Studio concert by the “Tinklers’’ and assisting artists. 2BL, Sydney.—B p.m.: Broadcasters' Topical Chorus. Broadcasters’ Light Orchestra under the direction of Mr. J. Knight Barnett, the Welsh Male Voice Croir under the direction of Mr. Lindley Evans, an evening of comic opera and high-class light music arranged and directed by Mr. Roland Foster,

3LO. Melbourne.—7.ls p.m.: Mr. W. A. Wharingtou will speak on “The Meaning of Zoning”; Mr. P. D. Phillips on “Are Women Under Any Disability”; Mr. E. M. Pascoe on “Bowls.” Artists: Dorofliea Macmaster. “The Sundowners,” Maggip Foster. Herbert Sanderson. Cy Peir, Syd. Fayne, Tom Semple.

4QG, Brisbane.—B p.m.: “Winds in the Sand,” a three-act drama, in which the central figures are all Red Indians. It shows them in their prairie and mountain homes, living in a mystic world of enchantment, their minds as naive as tnose of little children, and it shows them in contact with the white race, a contact which brought them sorrow and disillusionment. A feature of the play is Hie original Red Indian music that is used incidently throughout the action. This music is of genuinely Red Indian origin, some of tho themes having been handed down from one generation to another through centuries.