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OME 15 years ago, I greatly admired Virginia Woolf’s novels, I still respect her artistic integrity and the ‘sensitivity of her style. But on being reread, her books seem to reveal such, intellectual snobbery and emotional preciosity, so limited a view of human nature and so inadequate a vision of reality that they have lost most of their appeal. They proceed from a narrow little world, the end of which may be symbolised by Mrs Woolf’s suicide. I could endure only an hour of Louis MacNeice’s précis of The Waves (1YC); fatigue at trying to discern a pattern behind the thought-processes of her characters and at the monotony of outlook forced me elsewhere for a 4
mind-rinse. The following evening, introduced by George Rylands, nearly all the survivors of Bloomsbury paid tribute to her "beauty" (a description which always baffles me), her wit, integrity, genius and sensitivity, This Portrait was, I thought, more interesting than The Waves, for its concreteness and for three particular thingsMarjorie Fry’s admission that Virginia Woolf often did less than justice to human beings, a_ description of her snobbish deflation of earnest young men, and the reminiscences of the Woolfs’ cook, who, among all these high-brows, struck the most human and
spontaneous note.
J.C.
R.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570920.2.42.2
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New Zealand Listener, Volume 37, Issue 945, 20 September 1957, Page 26
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212Back to Virginia New Zealand Listener, Volume 37, Issue 945, 20 September 1957, Page 26
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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