The Good Book
(CCASIONALLY a radio session emerges to which my first reaction is "What a fine idea! Why hasn’t somebody thought of this before?" So with the daily Bible reading from the YA stations, which I find wholly admirable. The three or so minutes each takes is about the length of a rock ’n’ roll record; even the most stubbornly secularminded could hardly. begrudge such a space for a daily recognition of the Creator. The scheme of using different translations is excellent, for, while the more familiar versions have the appeal of traditional sonorities, one is often startled into a new awareness of meaning by the directness of Knox; Moffatt and Phillips. The only slight quarrel I have is with some of the readers who seem to me to strive for a lush poeticisation of certain passages, which rings falsely in my ear. At first thought, the time, 5.45 p.m., may not appear the most appropriate, but’ as the reading immediately follows the children’s session, it may catch a family audience before the knob is turned to net some music. Perhaps, however, we may look forward to the day when the session is repeated, after the 9.0 p.m. news, for instance, for a still wider audience.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570920.2.42.1
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New Zealand Listener, Volume 37, Issue 945, 20 September 1957, Page 26
Word count
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207The Good Book New Zealand Listener, Volume 37, Issue 945, 20 September 1957, Page 26
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.