%amous the doorld Over ERITZ RUHLA SINCE 1872 4872 FRITZ KUHLA PIANOS Germany s Most Popular Piano More than 38,000 Fritz Kuhla pianos have been produced since 1872, and enjoy. a great popularity all over the world. Fritz Kuhla instruments are all overstrung; with full iron frame, have 74 octaves and first class repetition actions. These instruments have an extraordinarily great, noble and full tone and an excellent touch which enables fullest expression. Model 102E available for immediate delivery in Walnut and Mahogany: Prices from 8270 main ports. Flat Grand 3: prices from 9605 main ports: See and hear these superior and outstanding German Pianos at: Piano Traders Ltd , Auckland; I Graham, Tauranga ; Midway Music Store; Gisborne ; Lockyers Ltd., Napier ; Piano Service Cos, Palmerston North ; E Dixon & Co. Ltd:; Hawera 8 H G Owers, 50 Courtenay Place, Wellington ; West Coast Music Centre, Greymouth; Robt: Francis Ltd., Christchurch ; Medway Imports, Gore; Wray Wilson, Invercargill: New Zealand Factory Representatives: DIRECT IMPORTS (NZ) LTD Po. BOX 72, HASTINGS: 0I8.6 THE MOST reliable SOURCE OF VITAMIN C Gregg $ Besides being the most reliable; Gregg' $ Rose Hip ROSE HIP Syrup is also most economical: It costs only I%d SYRUP for baby $ daily Vitamin C requirement: Give ISYR kucTUSI it to kiddies in spoon, bottle , or mug. Containing approx: 200 milligrammes of Ascorbic Acid in each 100 mils., Gregg S Rose Hip Syrup conforms to the approved standard: Greggs ROSE Hip SYRUP 48 W. Gregg & Co. Ltd. 51 Forth Street, Dunedin.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19560921.2.42.1
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New Zealand Listener, Volume 35, Issue 894, 21 September 1956, Page 20
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245Page 20 Advertisement 1 New Zealand Listener, Volume 35, Issue 894, 21 September 1956, Page 20
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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