The Hungry Gramophil
RAMOPHILS-who may be arbitrarily defined as connoisseurs of the best recorded music-are a depressed class in the community. They suffer the scorn of the performer who sees them as the victims of unnatural appetites, preferring canned music to the concert hall, the artificial to the real. The dealer, too, looks askance at their small numbers and doles out a grudging list of new re-cordings-a mere trickle of importation from the. flowing founts overseas-and blandly places the blame on the broad shoulders of Mr. Nash. Even over what records the gramophil has acquired loom the spectres of the microgroove and the wire recorder. His case is pitiful. The radio, alas, which might rescue him from isolation, treats him instead with maddening indifference. He looks up The Listener and is not fed. Certainly he finds scattered there such an array of recordings as he can néver hope to own himself. But he comes to believe that some malignant god presides over the choice of records, inflicting upon him aged or vilely recorded discs, under the thin excuse of the exigencies of programme arrangement. At present the gramophil’s is a lone voice piping in the wilderness, but it would pay stations to heed it and examine in time the standard of their classical recordings. Some of them ought never to have been acquired: others are overdue for the scrap- |
heap.
K.J.
S.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19491209.2.20.6
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 22, Issue 546, 9 December 1949, Page 11
Word count
Tapeke kupu
232The Hungry Gramophil New Zealand Listener, Volume 22, Issue 546, 9 December 1949, Page 11
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.