BREAKFAST AND DINNER SESSIONS
wliygrnsras B& VMSA SS A814, BL VID ihe terested in music, I find it very difficult, if not impossible, to listen to some good broadcasts, as being out a good deal in the evenings, I am limited to .the Breakfast and dinner sessions. But what happens? In the breakfast session I find 1YA putting over practically the same class of programme as 1ZB (minus advertisements, of course), and no sooner do I begin dinner than 1YA switches on to news and information, leaving me to the mercy of 1YD. The net result is that we invariably switch off both breakfast and dinner sessions, and I leave it to your imagination to realise how much we do listen to. My wife tells me that the, quality of music improves during the morning. I wish we could have at least the major station broadcast something worth while when the business man has\a chance to hear
it:
PATIENCE
(Auckland),
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19481112.2.14.5
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 19, Issue 490, 12 November 1948, Page 5
Word count
Tapeke kupu
160BREAKFAST AND DINNER SESSIONS New Zealand Listener, Volume 19, Issue 490, 12 November 1948, Page 5
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.