Sequence
HE presentation of programmes in | series is an excellent idea; the in-| terested listener knows when to listen | for a sequence he likes (or when not to) listen, for that matter) and! a set of | works is given in some kind of com-| pleteness. The connecting link may | be the composer, as in the case of the complete Beethoven symphonies being given by the Wellington Group of the National Symphony Orchestra on Tuesdays from 2YA, or it may be performers, as in the delightful series of sonatas for violin and piano broadcast on Thursdays and Sundays from 2YA by Francis Rosner and Wainwright Morgan. The Schubert Sonata, Op. 137, No. 3, was a fine example of artistic co-operation and pure string tone. Another series connected in a different way was that of the set of Song Cycles which has been heard from various stations. Song cycles have sometimes, I fear, rather fallen on evil days; some of those broadcast were not worth the time put in on them. All sequences must end; this one has been overlong a-dying.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19481105.2.21.9
Bibliographic details
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New Zealand Listener, Volume 19, Issue 489, 5 November 1948, Page 12
Word count
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179Sequence New Zealand Listener, Volume 19, Issue 489, 5 November 1948, Page 12
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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