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Programme Notes

A RECENT 2YC session broadcast the Handel Concerto Grosso, Op. 6, No. 9, and the Mozart Quintet in G Minor, one of the most felicitous works ever conceived by the mind of man. Introducing each of these were programme notes of contrasting type. Those of the Handel gave only the themes of each movement, played on the piano, with ludicrous effect in the case of slow string tunes. Surely this type of programme > note is the apotheosis of the useless. The themes themselves will soon be heard with the magic of string tone; of what value can it possibly be to have a few bars of each played over first on the piano, adding absolutely nothing to one’s understanding of the work. On the

other hand, the Mozart was introduced with a few words preparing the listener for the mood of the movements of the quintet, with excellent effect. Let us | have more of the latter, and less of the former. |

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19481105.2.21.8

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 19, Issue 489, 5 November 1948, Page 12

Word count
Tapeke kupu
163

Programme Notes New Zealand Listener, Volume 19, Issue 489, 5 November 1948, Page 12

Programme Notes New Zealand Listener, Volume 19, Issue 489, 5 November 1948, Page 12

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