ACKNOWLEDGMENTS
THE DEEPENING STREAM. By M..H. Holcroft. The Caxton Press, Christchurch. A WELCOME new edition of Mr. ; Holcroft’s penetrating essay on cultural influence in New Zealand, in which he endeavours to show how our national mind and thought are (and might be) related to the land we occupy. Three chapters that were of topical interest in 1939 have been dropped: There is only one thing to be regretted about this edition-and a warning may help: the red ink on the cover of our review copy tends to rub off, and in* due course to get transferred to the pages. BOOK; No. 7, February, 1946. The Caxton Press, Christchurch. HE seventh copy of Book, a miscellany from the Caxton Press, has appeared after a long interval since No. 6. It contains stories by G. R. Gilbert, John Reece Cole, Walter Brookes and Randall Burdon; poems by James Bertram, James K. Baxter, Denis Glover, J: C. Beaglehole, John Waller, Erik de Mauny, and others; A Song for Otago University by James K. Baxter, set to music by Douglas Lilburn; a wood engraving by Leo Bensemann, and a drawing by Rita Cook; and . some printers’ facetiae of the Caxton brand of whimsy, including the usual tributes to Bacchus. POETRY: The Australian International Quarterly of Verse. ‘PHIs is the last number for 1945, and _the 17th number of the quarterly. It contains poems by W. Hart-Smith, Leonard: Mann, Eric Irvin, and other Australians, G. R.. Gilbert (New Zealand) and two Americans, James Franklin Lewis and Gustav Davidson.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19460329.2.23.2
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New Zealand Listener, Volume 14, Issue 353, 29 March 1946, Page 11
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253ACKNOWLEDGMENTS New Zealand Listener, Volume 14, Issue 353, 29 March 1946, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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