Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

FEUD IN HOLLYWOOD

WOMEN AGAINST MEN NEW TREND IN FILMS A feud,which promises to attain : steaming hot proportions is indicated j on the Hollywood battle front, says a j London paper.

It is the women against the men, fighting it out for supremacy on the screen. The “lovey-dovey” stuff is temporarily out. Soulful romance is taking a siesta, while films dominated by women wage war against the strong adventure movies headed by males. The latest company to enter the fray is Paramount, with its “All Women Have Secrets,” a new type of story dealing with the domestic side of college life. In this one, ironically, Jean Cagney, sister of the screen’s two-fisted hero, James Cagney, makes her screen debut. The men are having their day in “Typhoon,” a saga of the South Seas, in which Dorothy Lamour is the only woman. In this film feats of armed and physical warfare counteract the dramatic feminine qualities of “All Women Have Secrets. ” Meanwhile, women are shouting from the housetops about “Hotel for Women” and “The Women,” pictures

completely dominated by feminine players. The He-Men Hit Back Not to be outdone, the male stars again retaliate in such pictorial stories of high adventure as Geste,” with Gary Cooper, Ray IVmland, Robert Preston and other typically male exponents of he-man drama. While one company is in the midst of producing “Four Wives,” expounding the woman’s side of things, another concentrates on “North-west Passage,” dealing with the dangers and hardships of early days in America. At the same time, Paramount Is putting the male actors through their rigorous paces in the North-West technicolour epic, “Untamed,” typically a man’s picture, with Patricia Morison contributing the one feminine romantic role. In “Tailspin,” woman’s proficiency in aeronautics was shown. The film was dominated by feminine stars. “Drums Along the Mohawk” gives the men another chance. Such adventure thrillers as “Rulers of the Sea,” starring Douglas Fairbanks, jun., and Will Fyffe, and “The Light That Failed,” with Ronald Colman, may possibly swing the preponderance of weight to the men’s side in the feud for supremacy on the screen.

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/WT19391216.2.106.10.7

Bibliographic details
Ngā taipitopito pukapuka

Waikato Times, Volume 125, Issue 20989, 16 December 1939, Page 15 (Supplement)

Word count
Tapeke kupu
349

FEUD IN HOLLYWOOD Waikato Times, Volume 125, Issue 20989, 16 December 1939, Page 15 (Supplement)

FEUD IN HOLLYWOOD Waikato Times, Volume 125, Issue 20989, 16 December 1939, Page 15 (Supplement)

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert