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twice the area comes within the Field of vision of the camera and that in projecting a film made by the Grandeur process a screen filling in the whole width of a theatre proscenium can be used, with a corresponding wider expanse of vision. The; gray bar at the left, between sprocket-holes and picture, is the sound track which -is also double width in the Grandeur Film, making for 100 per cent, perfection in the talkies.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/SUNAK19290914.2.153.14.1

Bibliographic details

Sun (Auckland), Volume III, Issue 768, 14 September 1929, Page 15

Word Count
76

twice the area comes within the Field of vision of the camera and that in projecting a film made by the Grandeur process a screen filling in the whole width of a theatre proscenium can be used, with a corresponding wider expanse of vision. The; gray bar at the left, between sprocket-holes and picture, is the sound track which -is also double width in the Grandeur Film, making for 100 per cent, perfection in the talkies. Sun (Auckland), Volume III, Issue 768, 14 September 1929, Page 15

twice the area comes within the Field of vision of the camera and that in projecting a film made by the Grandeur process a screen filling in the whole width of a theatre proscenium can be used, with a corresponding wider expanse of vision. The; gray bar at the left, between sprocket-holes and picture, is the sound track which -is also double width in the Grandeur Film, making for 100 per cent, perfection in the talkies. Sun (Auckland), Volume III, Issue 768, 14 September 1929, Page 15

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