“WINGS OF YOUTH.”

Shannon News, 21 August 1925, Page 3

“WINGS OF YOUTH.”

HOW THEY WERE CLIPPED. The effect of modern “fast living'’ is realistically portrayed in three distinct ways in the William Fox production “Wings of Youth ” which comes to the Maoriland Theatre on Saturday. . . , Madge Bellamy, judged by prouiinent artsists as. “the most beautiful o-ti'l in the world,’’ contributes a jazz-mad flapper delineation that will win new honours for her, Marian Harlan presents a sophisticated young girl living beyond her years—a portrayal that is vividly striking. Katherine Perry offers a more subdued miss, long in awakening to the call of the tom-toms and blaring saxophones; but once aroused, she swings into the whirl with greater impetus than her two more happy-go-lucky sisters. “Wings qf Youth” reveals the quest of the three sisters for pleasure among the bright lights ot fashionable society and the final realization of their folly. “THE RID IN ’ KID FROM PO WD ER RIVER.” Reckless riding, the flash arid smoke of “six guns,” desperate men and courageous women make picturesque “The Ridin Kid From Powder River,” Universal-Gibson production to be screened in the Maoriland Theatre on Monday. The conditions portrayed had a , real existence in the early days of the South-west, when the cattlemen believed that the hum ble nester was a menace that justified extreme measures to discourage or to exterminate. Tully Marshall, Gladys Hulette and Walter Long and Universal Ranch Riders aid Hoot.