MAORILAND PICTURES.

Shannon News, 2 January 1925, Page 2

MAORILAND PICTURES.

THE DESERT OUTLAW.”

Buck Jones in some tense moments will form the central figure, in Saturday's mature at the iMuoriland Theatre. Hie high lights shine on s.ucn 'incidents, as. me loilowmg: — “sam wmspers to May tOi clear out before the sheriff uiscovers he's not her mother. The crowd in town is m •ugly lynching mood. Things look biaek lor Said. suddenly, nandcuiled as he is, fie drives the spurs into his horse, charges, down on the sheriff and knocks, lam down, plows through the" crowd, and still nandculied, leaps from las. horse to tne last car of a moving train. Wne.n it stops for water, Sam crawls under tlie car to- a seat on a brake-beam. When the train stalls, he holds, the chain of his handcuffs to the wheel , until it’s cut in tw.o.” ' “Tom rides into the hall; at the point of his gun cows and crowds the men into one corner of the room. A free for all fight follows.. Tom and Bam get May and race with her back to the abandoned mill. Pursued by the crowd, the three give battle, barricaded inside the ruins. At the crisis with both Sam and Tom wounded, and all hope gone, the mill dam breaks, sweeping the crowd away. The real murderer of McTavish is caught,\the outlaw -brother pardoned and the final fadeout shows. Sam’s arm about May’s w.aist, both walking down the rainbow road.”