OTAKI THEATRE.
TO-NIGHT. "EAITH." A quaint Scottish romance of love and duplicity is told —and most delightfully told—-in "Faith." All the scenes are laid in bonnie Scotland, and each succeeding scene seems more pleasing than its predecessor. "THE JOLT." "The Jolt" is a strong story, simply told and cleverly acted. The plot is laid chiefly in New York, to which city Johnnie Stanton litis returned from the war with his French bride. The newspapers that had once called him a "crook" 1 now recounted his deeds of valor: but tales of his heroism did not give him a. job or put money in his pocket. Finally, in desperation, ho went back to his old lift and joined a burglary plan. The "jolt" that struck him as a result of his leaving the straight and narrow path gave him new courage to face life's battle. TO-MORROW NIGHT. "BLACK BEAUTY." ."Black Beauty," from the immortal equine storv by Anna Sewell, with ."lean I'aige in the star role is the lead- t nig attraction at the* theatre to-morrow night. The film is unique in many re-spe*-t-< and is filled with spectacular scenes. The fox hunt,-the lire in the stables, the storm that washed the bridge away, the grand ballroom ncene and the race between horse and locomotive, are some of the big moments in the picture. i 58885C85583?
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https://paperspast.natlib.govt.nz/newspapers/OTMAIL19220609.2.16
Bibliographic details
Otaki Mail, 9 June 1922, Page 3
Word Count
225OTAKI THEATRE. Otaki Mail, 9 June 1922, Page 3
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