CUPPLE gold brocade cut on square . lines, edged with a wide band of gold lame, and finished with four heavy tassels, makes an adjustable opera cloak for the summer. The tarnished gold of the large square matches any type of gown, and may be worn m a number of ways. On the right is a fringed and patterned Oriental coat, which makes an ideal summer theatre coat. It is printed m Oriental colors and designs on marocain background.
FTHE silver sequined bridge or W| * theatre coat above is a M Rachael contribution. The ¥ body of the coat is ivory silk georgette, and the sequins are sewn to "reflect the light, with a band of reversed pailettes at the hem. The , Carmen-ish shawl above is canary J yellow, made of rich Eastern crepe J de chine, and traced m brilliant .>■« colorings. Shawls have never been M, ousted from the public favor, as (jfj they have proved to be the most &j: economical and sensible of summer ip wraps. New Zealand firms are p| showing a wonderful collection of || these shawls m every imaginable !|j color. Sj
ABOVE is a lace " wrap of Spanish lace, m black and ashes of roses, worn over a glittering green and silver gown from Jenny. The wrap is cut on a square, and gathered around the figure according to the wearer's taste. Both the wrap and the blue f bather fan of Ihk curled ostrich |^ feathers are from Rachael.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/newspapers/NZTR19290124.2.33.1
Bibliographic details
Ngā taipitopito pukapuka
NZ Truth, Issue 1208, 24 January 1929, Page 11
Word count
Tapeke kupu
243CUPPLE gold brocade cut on square . lines, edged with a wide band of gold lame, and finished with four heavy tassels, makes an adjustable opera cloak for the summer. The tarnished gold of the large square matches any type of gown, and may be worn m a number of ways. On the right is a fringed and patterned Oriental coat, which makes an ideal summer theatre coat. It is printed m Oriental colors and designs on marocain background. FTHE silver sequined bridge or W| * theatre coat above is a M Rachael contribution. The ¥ body of the coat is ivory silk georgette, and the sequins are sewn to "reflect the light, with a band of reversed pailettes at the hem. The , Carmen-ish shawl above is canary J yellow, made of rich Eastern crepe J de chine, and traced m brilliant .>■« colorings. Shawls have never been M, ousted from the public favor, as (jfj they have proved to be the most &j: economical and sensible of summer ip wraps. New Zealand firms are p| showing a wonderful collection of || these shawls m every imaginable !|j color. Sj ABOVE is a lace " wrap of Spanish lace, m black and ashes of roses, worn over a glittering green and silver gown from Jenny. The wrap is cut on a square, and gathered around the figure according to the wearer's taste. Both the wrap and the blue fbather fan of Ihk curled ostrich |^ feathers are from Rachael. NZ Truth, Issue 1208, 24 January 1929, Page 11
Using this item
Te whakamahi i tēnei tūemi
See our copyright guide for information on how you may use this title.