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Percy Grainger.

admit that much of what was heard can be shown to be lineally descended from the great music of the past, especially if it be remembered that the rhythmic freedom which modern composers, including Mr Grainger, employ was a commonplace with the polyphonic writers of the 16th and early 17th centuries.

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/NZTIM19261204.2.137.1

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Times, Volume LIII, Issue 12621, 4 December 1926, Page 14

Word count
Tapeke kupu
53

Percy Grainger. admit that much of what was heard can be shown to be lineally descended from the great music of the past, especially if it be remembered that the rhythmic freedom which modern composers, including Mr Grainger, employ was a commonplace with the polyphonic writers of the 16th and early 17th centuries. New Zealand Times, Volume LIII, Issue 12621, 4 December 1926, Page 14

Percy Grainger. admit that much of what was heard can be shown to be lineally descended from the great music of the past, especially if it be remembered that the rhythmic freedom which modern composers, including Mr Grainger, employ was a commonplace with the polyphonic writers of the 16th and early 17th centuries. New Zealand Times, Volume LIII, Issue 12621, 4 December 1926, Page 14

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