"Antiquities" Made to Order.

Kaipara and Waitemata Echo, 17 April 1914, Page 2

"Antiquities" Made to Order.

HOW EGYPTIAN MUMMTES, "ANCIENT" POTTERY, AND ART OBJECTS ARE FORGED AND ; FAKED. The fabrication of forged antiquities has become one of the most profitable industries' of modern Egypt. Every year more and more wealthy tourists go to the sunny and salubrious land of the Pharoahs. Practically everyone of these tourists wishes to take away some relic of the ancient Pharoa.hs as a souvenir. To supply this demand the modern Egyptians are working night and day making very attractive articles in the ancient style. The Egpytian law now! requires that every person finding antiquities shall report the fact to the Government, which reserves the right to purchase them. This law really favours the antiquity forgers, for they represent to their customers that they are offering them contraband goods, which offer usually has the effect of whetting the appetite to buy. A scholar and Egyptologist, Dr, T. G. Wakeling, has made a lifelong'study of the methods of the antiquity forgers, and published a very interesting book on the subject. The book is entitled "Forged Egyptian Antiquities," and is published by Adam and Charles Black. It is illustrated with remarkable specimens of forgeries which the author has collected himself. The manufacture of mummy cases of all periods is one of the most profitable occupations of the antiquity forgers. A handsome mummy case, of the Ptolemaic period, will sell for £1,000 or even more, and the original cost need not be more than £4. One transaction of this kind will support a thrifty Egyptian for life. In making the mummy case, a fragment of genuine old case is frequently used, so that the workers may keep the style and tone perfectly. A bundle of rags and cow bones may be used in place of the mummy, or if it is intended to make a very fine job a genuine old mummy may be inserted. Unidentified old mummies are cheap and common in Egypt. The painted mummy cloth is counterfeited with great care. Sometimes genuine old cloth from a mummy of small value is used, as in the example shown here. The painting is modern, and an expert can tell this because the colours have run. A genuine ancient painting follows the design with greater exactness. One of the most enterprising antiquity dealers in Egypt, a resident of Luxor, actually constructed a great tomb in order to pass off his forgeries more successfully. He represented it as the tomb of some forgotten Pharoah or chief minister of three thousand years ago. He filled it with stelae, ushebti, jewellery, mummies, vases, and other forged antiquities, all apparently covered with the dust of ages.

An American millionaire enjoyed the privilege of first visiting this tomb. He was conducted there secretly at dead of night in order to avoid the Government guards who constantly watch the antiquities of this district. lie was so imprsssed by what he saw that he cheerfully gave £20,000 for the contents of the tomb. It has been filled up again several times since then. Purchasers of antiquities are tempted by the fact that the ■ objects are sometimes worth what is asked for them, even though forged. Dr. Wakeling mentions the case of forged antiquities of real gold that were sold for no more than the value of the metal. The modern workmanship was excellent. Tourists will gratify their secret 10-nging to buy antiquities in obscure places in spite of the warnings of archaeologists and reputable dealers. A woman showed the author a handsome necklace of yellow beads, which she had bought for £10. He remarked that they were being made regularly for Bs. apiece. "How can you say so, doctor," exclaimed the woman. "My donkey boy told me that he stole it from an old tomb himself, and he had such an honest little face !" Scarabs furnish the greatest employment to the antiquity makers and dealers. Some of the best scarabs are made in Europe and exported to Egypt, where the intelligent natives sell them to foreigners. Scarab making has been carried., on for about a hundred years. It has reached such a point that learned Egyptologists are frequently unable to tell whether a specimen is genuine or not. The scarab, which represents the sacred beetle of Egypt, was used as a charm and buried in large numbers on a mummy's breast. It was supposed that the sacred beetle would ward off the attacks of evil spirits. The forged scarabs aiv sometimes made of glass, stained to imitate some semi-precious stone, such as cornelian, which was much used in [the ancient specimens. In another the ancient glaze is imitated and thin stained to give an appearance jof antiquity. A capable expert can 1 detect these two forms of forgerv without much difficulty.