Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

A STRIKING PICTURC

THE STORY BEHIND IT

SYDNEY, September 25. One of the most striking exhibits on show with the exhibition now being held in Melbourne by twenty painters is one by the famous portrait artist, Sir John . Longstaff, and called “The Waif.” Sir John lias painted most of the famous Australians of the present generation, and for each subject be has been well, but (not. extravagantly, paid. To “The Waif” belongs the honour of having received a fee for posing. One day, a youth knocked at the door of Sir John Longstaff. He asked for help. He did not give his name, lie did not say where lie come from, and, artist-like, Sir John did not seek any of there particulars. “Per 1 forgot to ask him his name.” said the artist. “We talked about all sorts of things while I was painting the picture. He told me he had walked from a farm somewhere to Ballarat looking for work, and then he got to Melbourne somehow or other. I think he said when he left me that he was going to walk to Geelong. I painted his head. What else could a painter do in the way of giving him a job. I thought lie looked an interesting head.” ’

And it was an interesting head, judging by the interest the portrait has aroused. The original has been found living in a cheap boarding house in Melbourne still seeking a steady job. He refused to reveal his identity, for lie did not want his parents to know that he was a “waif in a big city like Melbourne.” He said that his parents kept a small farm in Victoria, but' it was not large enough to support, him and his parents as well, so lie left home. Still being a “waif” was a hungry and depressing, business, and be was not really interested in the fame that had come his way through the picture. What he wanted most of all was a steady job. He praised the generosity of Sir John Longstaff, and added that posing for a picture was “easy money.” “When. I get a regular job,” said the waif the other clay, “the first thing T will do is to write home and tell mother about it. She must never know that I have been a waif in a city.”

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/HOG19301004.2.56

Bibliographic details
Ngā taipitopito pukapuka

Hokitika Guardian, 4 October 1930, Page 8

Word count
Tapeke kupu
393

A STRIKING PICTURC Hokitika Guardian, 4 October 1930, Page 8

A STRIKING PICTURC Hokitika Guardian, 4 October 1930, Page 8

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert