AMUSEMENTS.

Hokitika Guardian, 5 March 1929, Page 3

AMUSEMENTS.

4 EVERYBODY* PICTUREB. “THE KING OF KINGS.” i -•" TO-NIGHT! TO-NIGHT! For generations the world has hun-,-gefed for the Truth—the Truth in a i :form better‘Understood by the mutli•tude, and it comes at last in the most spectacular, of photplays—The King of Kings.’?' - lightly has ‘‘The King of Kings” been acclaimed the Miracle of .Art—The ..Supreme Gift to Humanity It is colossal in its magnitude—majes~tic.;:injits presentation—the consummati*n.,of. msyp.’s highest ideals. Sufficient ■alone is this statement to convey the fact that the film industry has achieved the greatest thing in history—given to jthe world: nothing that can ever be equalled., Nothing so spectular, so en--ormus, so majestic, has ever reached the motion picture screen before, and neither we hoi- the generations to come will ever see anything so indescribably beautiful as|' “'The. King of Kings.” 'With its release- in,! Australia, the industry has ’' reached the very pinacle of motin picture art. “The King of Kings” is questionably, proof positive „> that art and beauty Can, and docs, move with' the 'times. In this age of mechanical wonders and commercial we have found time to pause and lifting gem from a -crown of Archaic granduer, present it'to a world drab and beautiful in its modernity. So .‘‘The King of Kings” goes to the people with the whole of the motion picture industry guarding it against flamboyancy and .stifling petty criticism. It is the crown ing effort of the man who fought down ' all prejudices, left no stone unturned to make the perfect motion picture it is the life’s work of Cecil B. de Mille and a to the industry’s highest ideals. .The prices tonight are circle 2s stalls Is 6d,‘ children under 12 6d.