McLEAN’S PICTURES.

Hokitika Guardian, 29 May 1924, Page 1

McLEAN’S PICTURES.

FT .0 HENCE VTDOiI, FBI DAY

McLean’s Pictures present on I'l idav evening Florence Vidor, more beautiful. womanly and appealing than oter in “Woman Wake t'p!” which should draw a capacity audience. The sic; which is by JJeu Moore Clay, coufcs.-e. that it begins at “and tli<-v lived bap pilv ever after.’’ Of course, they ne er do, for tiwc is always that firs, year of married life that you can’t get away from—a year of revelations, heartaches, sacrifices and readjustments. The author has treated this subject with subtle satire, pert comedy and mock seriousness. It tolls Inm a couple, married alter a brief cotirtship. realise that widely differing tastes do not always mean computability. The wife thinks marriage agreements should contain a fifty-lifly clause, she plays hubby's game of freedom am. gives him an eye-opening jolt. From beginning to end the story holds tin attention and interest. An airpluir crashing with great realism, on a mountain, smashing to pieces ant bursting into (lames, starts the piclur. olf with a thrill among gorgeous scenery. Miss Vidor is charming always whether she wears the new twee., knickerbockers, a girlish frock, or a .sophisticated evening gown. The interior settings arc mavcls of artistry and realism. A comedy, gazette and further chapters of the serial “The Timber Queen’’ complete a line programme.