Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

PAVLOVA.

A WONDERFUL DANCER. LONDON, April 13. ' Anna Pavlona, dancer, but more nymph or hamadryad from ancient; myth than of tlie human dancing race, i came back to her faithful Londoners]

last night at Drury Lane. She had a wonderful reception, and in time to come these days will be looked back on as marvellous when both Karsavina and Pavlova were to be seen with mortal eyes. The age of miracles does not last for ever.

Mine. Pavlova is the flame-like spirit she ever was. She is a snowflake or a russet leaf blown on an autumn wind. She can be anything she will, having prodigious dancing' technique and also tho powers of a great actress. What last night she mainly chose to be was a sort of peerless violinist fiddling an elaborate cadenza. Cadenzas -have in the long run a way of seeming to get nowhere. The snow fluttered down into tl,e banality of a Christmas-eard decora, tion Again the Sbelieyan “breath ot autumn’s being “blew too ineffectually into a party of sawdust dolls. TRIVIAL BALLETS.. I Pavlova, indeed, seems the only really | living creature in the Pavlova badet, I This fact enhances her vitality, vine. ! needs no enhancement, and s o seems too j frivolously employed. Not one o pieces had an idea in it, .and though Pavlova’s art -may make even trivialj ities enjoyable it is not its best use I “Snowflakes” last night was a set of j “classical’ ’ballet dances; (ninsic from Tchaikovsky’s “Nutcracker. ) Ea 1 irder “,Amarilla’ T (music mainly by <•»wr-nr.^ i*** * T’rir* rSiu u «»'

tragedienne without any adequate, tragedy, ■ ... v : Where the great artist had the scene to herself, in the Saint-Saens “Swan,” she came into her own: her performance—quivering, broken-winged, and exquisite—equalled that of the Old Palace Theatre days, which the audience’s delight even surpassed. .. For tho rest, Mine. Pavlova has a stahyart supporter, Mr Alexandra Vo-' liniii, and a numerous corps do ballet'. The music from first to last 'is of almost negligible interest, so 'that all the preliminary discussion about tbp- conducting of it—whether an Englishman c-ould possibly rise to it and in (how long a time—now looks rather foolish.

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/HOG19200701.2.8

Bibliographic details
Ngā taipitopito pukapuka

Hokitika Guardian, 1 July 1920, Page 1

Word count
Tapeke kupu
361

PAVLOVA. Hokitika Guardian, 1 July 1920, Page 1

PAVLOVA. Hokitika Guardian, 1 July 1920, Page 1

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert