AMUSEMENTS.
POLLARD'S PICTURES. “ROMANCE AND ARABELLA.” TO-NIGHT. At the Princess Theatre to-night Pollard’s present, “Romance and Arabella,” an attractive drama, with Constance Tahnadge as the young widow who begins to sit up and take notice, and think of her departed as her ‘first’.
•'the man I marry now must give me thrills— must sweep me off my feet!” Then began the sweeping. “Arabella’s , suitors were a cave man, a callow youth, a cubist artist, also impoverished—a scientist and Eugenist, aud, last but not least Bill, who fed the fires of romance by keeping the supply of suitors going. The cave man didn’t s\uit: “I hate a man who shouts around and breaks the furniture!” Caught eloping with The Youth, she indignantly denies the charge of cradlesnatching. The Cubist’s theory: Love is the ultimate all—a- little nothing against something-—that is art!” A A fortnight of soul freedom and cosmetic force (brought her back to the harsh world and grape nuts. An elopement and burglars to a musical accompaniment. The scientist stifled her with eugenics, and turned up twenty minutes late for the wedding-—that was Ins finish. “Wilt thou, Arabella, take this mail—? “I will not!” Bub her instinct wouldn’t let her marry any but the right man—Good old Bill—who had stood by through thick and thin, tall and short, rich and poor, and won by a short hair at the finish.
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Hokitika Guardian, 19 January 1920, Page 1
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230AMUSEMENTS. Hokitika Guardian, 19 January 1920, Page 1
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