THE PICTURE HOUSES
COSY DE LUXE. “After Midnight,’’ the picture entertainment now at the Cosy Theatre stars beautiful Norma Shearer, one of the most popular and admired heiresses on the screen to-day. It is a thrilling romance of Broadway night life, after the adventurous hour of minight—contrasting the lives of two girls, ore ambitious, saving, and looking forward to marriage, the other living for the pleasure of the moment and not caring what happens. How the girl, technically the “tougher” of the two sacrifices herself ..for her straighter but less experienced sister make a fine climaxlto a good pic-, tiire. Saturday Afternoon, In “Casey at the Bat,” Wallace Beery, perhaps the actor to nave made the most progress during l.he past 12 months due to inimitable permances in “Behind the Fror , ’ “We’re in the Navy Now,” enacts the small town junk man who suddenly finds himself catapulted fo fame and fortune when a big baseball team demands his services. Though dealing with a game not played here the humour is obvious of the action always fast. MUNICIPAL. Matinee on Saturday. Louise Lorraine was left in a serious predicament at the end of chapter 6 of the serial and now she is playing blindly into the hands of the arch soundrel who seeks to gain control of her father’s invention, and even the famous police dog. Silver Streak, can’t seem to think of anything that can bo done about it. Something might happen yet, but it looks black ■—it looks black. In the supporting picture one of the most goregous fancy dress balls ever staged for a motion picture was filmed for Lois Weber’s latest spectacular production “The Sensation Seekers.” Billie Dove considered the screen's most beautiful woman and Huntley Gordon, one of its handsomest men share the starring honours while p supporting cast of unusual merit Yas corraled for this feature.
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Hawke's Bay Tribune, Volume XVII, 25 November 1927, Page 9
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311THE PICTURE HOUSES Hawke's Bay Tribune, Volume XVII, 25 November 1927, Page 9
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