A WIT IN MUSIC
"He studied in England with one of the more orthodox English professors, as a result of which'he entered the JJipwimatio Service." , • This- is from a friend a account of tHe musical career of Lord Berners, diplomat and rfiturist composer, whose latest work is being played at the Alhambra. Lord Bernors is thirty-six years of age; and is Attacheat tho British Embassy at llome. "lie is a thorough Englishman in.appearance, ind Stravinsky says he detects English traits in his music," says one of his friends. ■ "Hi? faco is roundish, and he wears a monocle, but that, of course, does not prevent his frieuds of tho Cubist persuasion from portraying him all kinks and angles. . "He is a disciple of Stravinsky, of whom he tuiinks the world; and Stravinsky on his . part declares him the most talented of his pupils. ■•Personally I should call Lord Berners an eminently witty anan, and hiy wit comes out in his music. You easily understand that he is ocean 6 removed from the_ typical, heavy sentiment of German music. Schonberg's is probably the only German music ho cares anything about. "His nearest approach to sentiment is his 'Funeral March for a Canary,lts tiro companion pieces are less emotional. ■One is called 'For a Statesman' and the other l''or a Rich Aunt.' The former, according to the composer, illustrates a coiicoutso of wet umbrellas and frockcoats smelling of benzine. The latter has for motto. 'At last! Now wo Shall be able to afford p» car!' When a French critic rated him for the flippancy of these works, I rsgret to say that Lord Berners was delighted. "Another work of my friend is tho set of piano pieces. 'Hatred,' 'Laughter.' and 'A Sigh.' A London critic called tho second of these a musioal convulsion. On the othor hand, so distinguished a composer as M. Flo Tent Schmidtt lias praised this music as 'extremely picturesque and alive, revealing extraordinary virtuosity of teoliniqua.' . . . "Lord Berners is a very brilliant pianist. as. indeed, anyone must be who would play his works, Somo forthcoming pieces of his (including one. called Tlio_ Goldfish') will have this advantage—if one doesn't like tho music, one can have it framed, for the- title-pieces and so forth have beejudesigned by Larionov and one or two other brilliant painters—Futuristic, of course."—"K.," in the "Daily Mail."
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/newspapers/DOM19190828.2.35
Bibliographic details
Ngā taipitopito pukapuka
Dominion, Volume 12, Issue 285, 28 August 1919, Page 5
Word count
Tapeke kupu
391A WIT IN MUSIC Dominion, Volume 12, Issue 285, 28 August 1919, Page 5
Using this item
Te whakamahi i tēnei tūemi
Stuff Ltd is the copyright owner for the Dominion. You can reproduce in-copyright material from this newspaper for non-commercial use under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International licence (CC BY-NC-SA 4.0). This newspaper is not available for commercial use without the consent of Stuff Ltd. For advice on reproduction of out-of-copyright material from this newspaper, please refer to the Copyright guide.