Fo r the Ladies.
A-AAroiO, a ,6-iayoJO .r^dC} The modest true gentlewoman is becoming at her easa_ia.. every rencontre, in every mode of innocent social intercourse]; "At prayetsi"Beriow and reyererit^without' k -eitheV g -grimace oplbverconsciopsnfiSSljj^ti^iW^^^ 13 * 3 an(^ merriments, blythe, sportive, and joydiffffsifi| f 5; --at^heri^mb-asehbldj cdntiesj Wfe -P^ c ?fc a^ -Pf exercises, at the dance; br attne-fe'astj ever- r full iofj, the; *buoyajtt;t. f abandon, pf : a pujre , x niind., The prude is* otherwise! Slie drags' ' forward' x iritd : sbtbia'l- ; in ter-: ftourspiuher; .austpre Ippks ,pf > and she mars innocent gaiely^' arid sometimes even necessary business, by her misplaced cant. : .-_.m,
The Magic of a Marriage Fee. — Not very long ago a lady of interes^ipg and lovely appearances called upon me. I had married her,„ ; bu^ ...shp. recalled the circumstance, and she"'' then said that heaven had not blessed her with children, and she belieiv-fedlthe reason was that because her husband did not give me any fee.V,. | -y laughed, of course, as you do now, and tried to laugh her out : of the. idea,^ but she was very serious, very-earnest about it, so I had to submit, and accept the honorarium which !i fche offered; Some time after I met her ' father, whom I recollected in the street ! as we walked along itogether*. I j.asked j him how his daughter was. He said! she was very Veil and bappy with her| little, bpy ! Now, my brother ministers, ! take heart ! If Providence looks out so vigilantly for the marriage fee, do not; concern yourselves about sublunary! niatters, but give yourselves heart and! sbril to tbe* good work of serving the truth — Rev. Dr Furnace.
A Yankee Preachers thoughts on} Women — A queer cbinpbUrid is woman.! She is made up of industry,; boldness; beauty, silks, satins, jealousy, love,* hatred, horse-hair; whalebone, piety, 1 paint, gaiety,, gum-elastic, bear's grease, sympathy,-, tears, smiles, .affection, and.' kindness. My friends, h(W lofty is wbrriari'. ' No rmatterowhetKer ,bor„ri,iri -a cellar, she can sometimes be as lofty as a garret. Wheriy.she once gets her back up, oh J ! cats -and'broomsticks loot out for ypuselvesj, v She is, as big as Olympus, and as savage as' a savage machinei l Inc bier .wrath] shpjsjas ;crasy as a bed bug, as strong as a tiger, and as terrible as a tornado;- She blazes up as though '-she. were :a tar berrel, and in" a moment.. 'all is over — and nobody killed^ WHen she comes down froni the mountains, whence she was rolling big stories 'upon the people -belbwV she softens dbwh* tb a. jelly, arid become^ * as quiescent as a-goose-pond after a; t tei^test. t .^he '.brpeches won't fit. hpw loyirig'is wouaari**? Ay ! she is atriazirigiy sticky in her attachfi ments. ..She will cling to the^choseri ; objept of her heart lik, ; a 'possum to. a'l gum; aft^ you ■ can't separate her without snapping, strings that no art can merid, and leavinga : portion of her" soul upon-; the, upper r leather of her; affections— andwhen.ber. fondness is
fastened upon a fellow, it stays there; like glue and mblaisses in a bushy head of hair.
In his' "s. Ariadne; Florehtina," just' .published, JMlr Rusl^in giyes an interesting description' of three pieries' of Florentine; n.eedlpw,o?k, which attracted his attention in the i Bea room m which he slept at the King's Arms Hotel, Lancaster.'* Mrßuskiri while stftyipg .at*. this, "good old inn,", was engaged in; revising a' lecture pii "Design iri the Fl'pre'n tine Schools of Engraving," arid "he thu*s illustrates his' subject-— "Ori the' walls 'of. the little room where , I; finally revise this lecture hangs an old silken sampler . of - great- gr.andame's work, representing the domestic life of Abrahalri—chieny the : stories of Isaac and IshnVafel— Sarah at hei* tent door, watching, with folded- arms, the dismissal of HagaTjT above, , in a., wilderness full of* fruit trees, birds,' and butterflies, little Ishmael lying' at' the rpptlof -a tree,- and- the.- spent. „bottle„uhder -attotheil; -.Hagard;:-. pras.in#-- j.jindrtjhe angel appearing to her out ofa wreathed line of glbomy *..: undulating clouds, I which, with a dark-rayed sun in tiie midst, ' surmount: the entire- co.mpositijon in two arches, out of which descend .sfeafts AtiJL£h^ose)y beneficent rain j lpaying,^how^yer,^rppqi . jiri the corner opposite to Ishm.ael , s angel for' lsaac's^ who^stay-y; Abraham .Jn^.the sacrifice* j' the ram in the „ thicket, the squirrel j iri the .pluiffi tteej abavea. him, -j* and. ; the grapes, pears,-: apples, roses, and dairies of :th*e i foreground , .being ;:alliwrought with " iri Volution J. of .[ isuch ingenious i rieCdte'worka9§,.anay wplkrank-, in the patience,v,the -waiuiial : c skill j: and, the in**^ nocent pleasure"- of it, with the truest; ; wm l fis' pif FloreittM^e^ Nay : th8 r afetulil ■'-. tradition of mari"y of the forms. of jinpient art isjn^m&ny places pvident-^si'for. i^taricejin the spiral |Jii:,flp,mW ot , wdbd ; on -ifirst- i sprin&i'ng..>fdrn. ..Gn^the Jyall pppositfe'is* '* smaller -- riPiripo'sition, reprer ; ,sftn.tingo-*lriatJitß' -felVi' te.Hfej^i ? nd t&wbrdy .standing/ betweenrthe isun pnd the moon, with a bac^gfbii-rid^of :mriks^-•-borage, and corncockle ; a third lsjpnly y a^clustprgof; "and f "m?,"J ; s|._. two Byzantine p^cocks f but ifhe sjjijfttp^: Penelope and Ariadne reign vivid*ln all able: fancy is as great stuUin these, Sfe? ktturs and golden - roof of the Cathedral or* rMqnJceale." ; -j-*- -y **- lyyyy.A -> ■ '■
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/newspapers/CL18751028.2.23
Bibliographic details
Ngā taipitopito pukapuka
Clutha Leader, Volume II, Issue 68, 28 October 1875, Page 7
Word count
Tapeke kupu
861For the Ladies. Clutha Leader, Volume II, Issue 68, 28 October 1875, Page 7
Using this item
Te whakamahi i tēnei tūemi
No known copyright (New Zealand)
To the best of the National Library of New Zealand’s knowledge, under New Zealand law, there is no copyright in this item in New Zealand.
You can copy this item, share it, and post it on a blog or website. It can be modified, remixed and built upon. It can be used commercially. If reproducing this item, it is helpful to include the source.
For further information please refer to the Copyright guide.