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-« r * *» 5 J' ' - , r ... I. -> r- r« > •I, ■>, Hl r • <nr o ■>• .5 H i _„„ H* i 3ft ......... ..... ' 7 ” “ : £. S” ’ - —4 ® ® 1?/ ® I urn ; fi fir fi \ / '' r . — , f.'4'V/ ’ aßf >■■ <.7 : ' : 4 4'.'' 4 ; < .''.■ '4 . ■ ' . \ Jr fi J!" 1 " 111 "I 1 1 1 1 —fl I’'. ' «-'! -. JSr ' ' w g bX- l-.i ex • ’ “ '• ■ SWay *"* r**y * •■ ■ ! ■MI KwWR i UJErMMm t JrlMr * ■ - I I 16 acti«i jam essentials volume we ’, Im' -Wct| RBMmMsis I ifcift wiwmmi Ifcr jHp-— •“'*-*—As; <b ’ i I • mk ' ' r ■\ - ’ * ft; ■ %• ; 1 ywFH »V ~’NEMABF< | ’ PASSENGERS g Writti 'T-.-T L < | ''■’ wm./Jjt. ; ..'M*- ■ . Original Soundtracks: 1 .- El All Change B I -4 y ' ™ % Bono, Adam Clayton, Brian Eno, y fifififi You remember where the La’s /gjpgj i W■. Larry Mullen Jnr. and The Edge ■' only LP to date left us, ie- want- ; have formed a collective known ” ing much more, well now there I f PM DAWN as Passengers. On their first THE NEW GROOVE is. John Power, ex La’s guitarist THA DOGG POUND - Jesus Wept album they are Joined -by Mo’ 16 Add Jazz Essentials Veil quit the troubled‘combo’to form Dogg Food ■ Written and recorded" in New Wax maestro Howie B, Japanese is TRUB essential col- Cast to 1994. All Change 18 IHe key ingredients in Tha Dogg < York by Prince B and JC. The singer . a^ d °? era . le^p d lection of groove, funk, jazz, hip- laden w^ h t h ° Ok f’ , °A eS ’ Pound’s brand of dogg food are Eternal, Jesus Wept is the third PavarottL Original Soundtracks h and acid> Attitude a chiming guitars and ringing har- Dat Daz , g tpacks and strongest album from PM 1 as . recorded during a two Wend of cool Jazz has been monies. Classic influences from and Kurupt the Kingpin’s lyrical | • Dawn. The album is a range of ™ e^? e ?f io ? at Londons included here - featuring he ° bvious ? eU 00 ’ Pai f’ twists and turns. Dogg Food ‘ 1 ! personal songs that carry a uni- Westside Studio last November Ronn Jordan, Incognito, T eol>^ ? n n , 0 captures the raw power that ; versal message with lyrics that and a further £ ve weeks in Massive Attack, Guru, Nathan . owns n > Dylan James Tha Dogg Pound generate with : • never,: preach but always chai- bUn northern summer. Haines, Brand New Heavies, Brown along witti Bob Mar A originalphat beats and lyrics ! lenge those tuned-in. The first .We wanted to make the record portishead and loads more! If me 00 ec 7 D of uplifting three that glide so fast you might get single is a complete change in 7. six weeks says Bono. Fop us you are going to own the defini- gems & roc. i e ft behind. Daz & Kurupt invit- " musical tack, bass : and keys this is an opportunity to get all tive acid jazz collection this ’ ed a virtual ‘who’s who’of hipreplace scratches and break- this stuff out that there isnt sum mer then this is the one. . ... hop’s finest to participate on the . beats on the Deep Purple ‘Hush’ really room J Ol on . our own : album. Don’t take our word for sampled ‘Downtown Venus’; on a records adds bassist Adam it... taste it yourself! radio near you now! This album Clayton. is loaded with subtle wisdom and wit and 15 exceptional songs. Believe! Enjoy! I I aim 1 ’\T » .<*■' bUMMBT- a 3 SSfcM'l, .x., I i SB ' t MpSl IlliilW li ’ I MWL. wMOUB l-i I k O - ; meat puppets IBgiraFWl u. cool j I 4-JTM jiaii bK nnli No Joke! 1 IfiS' ff If K f Mr - s,nith . |lf 0 W • % < ■ ; i ! 5 After eight ■ full-length. albums ImWw*. I Rap superstar LL Cool J put Def ||f T W/W .s' « f and fourteen years of slogging it j . Jam Recordings on the map S •• f out in te trenches of punkdom, Ws b rea kthrough record I * I INNER CITY BLUES Too High To Die was the Meat PULP Need A Beat. Now, on this new THE CRUEL SEA The Music of Marvin Gaye Puppets breakthrough album. Different Class album, he still delivers phat Rock’N Roll Duds The artists on this album The Brathera Kirkwood have PULP are a huge phenomenal beats, fresh lyrics and a sexy Australia’s premier blues-rock have done more than cover returned with a resound ng bang success in the united Kingdom style that could never be dupli- experience deliver their collecthe songs, they’ve made them ea P Y e 0 o ®* with a number 1 album debut. cate( i- On Hey Lover, the first On of B . sldes an( rarities, part of themselves, delivering TheV ., en t S n J 1 } 8 Jarvis Cocker, the enigmatic single, he is joined by the Boyz n F eatur9a the classic Cool It them with the kind of emotion o P °, UCt °” s ™ Bof Butthol ® frontperson, cannot be ignored Crew. WARNING: LL Cool Down , and Queen’s ‘Bohemian that is purely Marvin- Surfers guitarist M eary ’ and - “We want to realise our ambi- J 1« considered armed and dan- Rhapsody’ performed in a way inspired. Artists include: have emerged with a mature (I) Uon to make a propep pop gerous, ready to explode and only Tex Perkins can. 16 Cruel Bono, Boys II Men, Neneh am am ° { SOI J^ S ll J? orpora album”. This is it. PULP have impress Hew Zealand with his Sea tracks unavailable on any of Cherry, Digable Planets, score ng roc ns, wse crafted their sound over a music and killer charm. aj buins After a sell-out Madonna & Massive Attack, country r yttims and soar ng decade axid this is the year for tour earlier this year, expect to Stevie Wonder, to name a few. odc ts tn at are the “UKs finest pop band” - see them again in January’96. A MUST-HAVE IN ANY definitely... Meat Puppets! John M Features <Commoii RECORD COLLECTION. People’ and ‘Misshapes 1 . .-■■ ' . ' PolyGram

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Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RIU19951201.2.66.1

Bibliographic details
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Rip It Up, Issue 220, 1 December 1995, Page 33

Word count
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979

Page 33 Advertisements Column 1 Rip It Up, Issue 220, 1 December 1995, Page 33

Page 33 Advertisements Column 1 Rip It Up, Issue 220, 1 December 1995, Page 33

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