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r J . P rj r 1 r) r | rj _ r 1 J IL LU JLLI JJ L JJ XLU jj J *\ r~~ —1 BHBHMBBBHKK — - J %L 1 ' -Ik v IP i£l7f * ; !■ mu I o $R _ ■" I t ‘ "L* ’ " : -'"LM f 3V; • « <*£&_• r> .••■>/.. .- \ •» tbifcßbL —-AvJ /’Mas TrrmSsiKmi ’ -' - MADONNA x <• s'S' ”" ’ 1 " HHr • • ~8l ~’■'* •>1 WjE 'E / B . ..-- Oif u I j *j| iFflflff Jflm" 'fl StS r Rite telHkßp fli t fl' ■■ fflI? Rite --"tLxx 8 s ?iw"/I ■ JM; ’t - .<vJ [ * " " iIAW s '‘- I ■ BB|b£s fRMBI v, f "V'iPII • I ' k-z'. : . MMMM JMMM J -1 9MOHH WUiHilliUMtigg - |g|;|i|il?|yii| __ niiiHi4!iiiiffn?y nmj?i»w?F! __ BaMWIMaMBM fluisniui^ifli iUtfflSliH;B *™ KHPJPItmmM iiHfliiifliifliJim The partnership that powered the wondrous If there’s one aspect of Madonna’s sensation- Since her remarkable self titled debut in 1988, Now one of pop music’s seminal names, the Echo & The Bunnymen are back on a collision al career that’s kept pace with her awesome Tracy Chapman has captiuated audiences Pretenders return with ISLE OF UIEUI, an course with greatness. With their album track record of exhilarating dance hits, it’s around the globe with her pure voice, evoca- album.featuring live and acoustic versions of BURNED, lan McCulloch and Will Sergeant, been the mesmerising magic of her ballads. five songs, and intense spirit. Her new album their biggest hits, plus several lesser known together again as Electrafixion, reinvent their SOMETHING TO REMEMBER is a collection of 14 NEW BEGINNING, marks the auspicious return songs. ISLE OF UIEW reunites founding unique aptitude for mystery and violence, and of her most intimate, timeless slow Jams. The of one of the most compelling artists in popu- Pretenders members Chrissie Hynde and beauty and despair. Revitalised by their long album is a loving look back at the lush and lar music. Few can match Chapman’s gentle Martin Chambers for the first time since absence from each other and the thrill of a languid ballads spanning Madonna’s entire and passionate uoice, and over eleven uplift- 1986, and includes many of the band’s biggest new challenge, the duo have created in recording career, and also features three ing tracks, NEW BEGINNING captures her at hits - ‘Brass In Pocket’,‘Private Life’,‘Chain BURNED an album that will ensure they go on brand new songs, including her latest single her very best. Gang’, and‘Hymn To Her’, to greater acclaim and glories. ‘You’ll See’. ' • -1 I 11 |qoih(vjon« I jl ■flßHHflflHßflflflflflH fl I»I ■ 1 fl ——fl fhp the s.ngles 1981-IS9S a QOIH(Y JOWS m | ‘‘ & I BJJ exponents U a I MranoV I■ I ■ once bitten, twice bitten I |I H | Hl : * 'L.'-?’.;: mnm||' ufl IS I ..I n . GfyZyr • Cjrab: W V IB J I L'-;. w.- z, <- ; R I Tri *. J La Kfl fl iII Vfl II wi ■■ I ■■ 1 111 I h I ■■llm b io- UiW*r : ?rB " ''~s NH mmi mMlfi ' ’ ' ' iliidl. I • * »**'■ I - * I •’' ’* * * LLI 1| 4'! I'll' li • IffilildMtf . TTO?ITFTn?ITy PMF.- lITIIJiHIIW Wilnlii|M itifiiiiM ■AlblaHMUiailßaMlfl Rn impresario in the broadest and most creative Rnthrax’s new album STOMP 442 is a sleek, The legendary institution known as the The exuberance, infectiousness, and carefree sense of the word, Quincy Jones, in the course gleaming machine, precise, well-oiled and Pogues return with a blistering new album zest of New Zealand pop heroes the of his career, has encompassed many musical with enough roaring horsepower to leave entitled POGUE MRHONE. With the multi-talent-Exponents is legendary, and now their biggest roles, find as a master inventor of musical challengers in the dust. The album takes to ed Spider Stacy once again taking the helm on hits are available for the first time on the one hybrids, he has shuffled pop, soul, hip hop, jazz, another level the degree of energy, emotional vocal duties, POGUE MRHONE is a crackling, album. ONCE BITTEN, TWICE BITTEN collects true classical, and jazz music into many dazzling range, and enthusiasm brought to the band by foot-tapping display of musical acumen and • greats like ‘Uictoria’, ‘l’ll Say Goodbye’, : fusions. It’s a creative cornucopia brilliantly vocalist John Bush, whose stunning debut let-your-hair-down bawdiness spread over 13 ‘Airway Spies’, and ‘All I Can Do’, plus 16 other brought together on his new album Q’S JOOK with the band was captured on 1993’s SOUND tracks. Boozy, brash, and belligerent, POGUE ' pop beauties. Without a doubt this is the ulti- JOINT. Featuring performances by Ray Charles, 0F H | TE NOISE. STOMP 442 shows Anthrax MAHONE captures these Irish delinquents at mate gift for any local music fan this << < Chaka Khan, Melle Mel, Barry White, and many with all pistons firing on a set of relentless . . their very best. Christmas. others, Q’S JOOK JOINT is the latest triumph in rock'n’roll the career of an artist whose ability to touch the mind and spirit is the stuff of legend. . i ISCOIffSSHniiSI ] - • ■■■■ • I? w . *' 1 •• : HHMHBjt - ■ '’..M Wfl =IP-■ ■" ' I sr’' ■ * * flflf , _ ? jellfJf /4 Ft L A L 3.. d P K IHnK 1 1 MiTJTsS ■ •! •• jsfIHHMHHMMMI ■■■■■■fl BfffflWVfflHnWffflWmW VWfVW9fHHWWfIRVfI IffffWHfISFffiWWHPWW PyWililfiTWW r ~ " ’ After 30 years, two of music’s most |n al| hjs m o rk> DlU jg ht Yoakam has With her second album, DEADLINE On his second album TALL BLONDE Inspired by the environs ofthe gifted and mercurial artists are created music marked by an abiding FOR MY MEMORIES, former Electribe HELICOPTER, singer / songwriter Mississippi river, New Orleans, and back together again. On ORANGE affection for the purity of tradi- 101 vocalist Billie Ray Martin, rein- Francis Dunnery forges the deeply st.Louis, Trace, the debut album by Son CARTE ART, Brian Wilson and Uan - tional country’s precedent, and this forces her credentials as one of the personal dividends of hard-won life Uault - the band that features former Dyke Parks, the duo behind the vision is captured in full measure most interesting and soulful voices lessons into songs of universal Uncle Tupelo members Jay Farrar, Jeff Beach Boys’SMILE, the most on his new album GONE. GONE alter- in pop. DEADLINE FOR MY MEMORIES truths. Throughout this warm, Tweedy, and Mike Heidorn - flows with famous unreleased album in music t es between caustic neo-honky effortlessly achieves Martin’s goal acoustic-driven album, Gunnery’s a special blend of country, folk, rock, history, prove their unique creative t(jnk ta)es Qf |(jue on thjj rocks an(J of creating sublime music that sits cutting wit, touching honesty, and and blues. Trace is a stunning collection chemistry is still alive and kicking. a dry cracking with heart-burst- somewhere between Kraftwerk and beautifully communicative musical of visual dreams, displaying a sense of Written, arranged, and produced by in g longing And as ever Voakham Phil Spector, making it the album moments reveals an artist in full undiminished passion, carnival creativParks, and sung by Wilson, the 12 es ou|sjde t ’ , stlj|istic for deep-house fans everywhere. creative stride, displaying his most Uy, and emotional drama. Without a tracks on ORANGE CRATE ART show- P „ . ,», U « fully realised work yet. doubt, Trace will go down as one of the envelope, making him the most a a r i^ rr ,nnccase a gorgeous, gossamer evoca- .... classic debut albums of 1995. 33 3 vibrant, and memorable performer tion of the Californian state of .... a in contemporary country music wind. . . . today. * g*aflbaagg3>.«*t?l 1 C3S* LAt

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RIU19951201.2.40.1

Bibliographic details
Ngā taipitopito pukapuka

Rip It Up, Issue 220, 1 December 1995, Page 17

Word count
Tapeke kupu
1,190

Page 17 Advertisements Column 1 Rip It Up, Issue 220, 1 December 1995, Page 17

Page 17 Advertisements Column 1 Rip It Up, Issue 220, 1 December 1995, Page 17

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