Page 15 Advertisements Column 1

Rip It Up, Issue 219, 1 November 1995, Page 15

r 1 \ y C . r | dj r mini rj r i kJ 1 Z J Uj J L ji r r JjjJ ■> ; ; ’ a ••&'» '' • ' T* 4sSww«ts - jrfmhb! ■■■kxk ' w b ' ■■ ■■■ ■■ < : ■ ■ * : ' ~1 wESE^^RiiX l ' - ihmf 1 r*Bßr. ,f * ■ yi-i- y*y*<Ty»v<wy* ■ tiWEjP 1 § W^Wfli ■ ■ .■ . ;jfk feu aF r o rT H pRpR W Er* % ' O F* 1 *x% ► k<i”> te lha y ’wl I k \ T ■* &Br 'W- w 1 I xL' u« » , < jk 1.1 ■ Jgi • Jim l .-• 3> ...' ■' ' gwlgdOK ■to ■ kfßHßr ■ 1 toto« OB- pm, L? ' rfnlA l«fel®wBl fck ' . I-A/W o -7- w» * goto I «« Truiiwirr ■ ■■"" -•• • w Xj?.. «. .. r/ r - : Hod ' : ' ii,swr 1 mbl rer iwiuuiui iffiriffi < ___ '■£3HHSHBKSSimi23£2^S£[AM^^»^ 3i *" “' ■ - J z .. . ® s . Arguably, the most long-awaited album in The short man in platforms declares his Hailing from Okalahoma, the off-centre four- Featuring 18 stunning new compositions HLL recent memory,' INSOMNIAC is the follow-up genius once again with THE GOLD EKPEAIENCE, a piece pop hand the Flaming Lips, fresh from YOU CAN EAT is the new album from Grammy to Green Day’s mammoth-selling major label heady, addictive slice of infectious funk and appearances on LOLLAPALOOZA, LETTERMAN, Award-winning singer / songwriter kd Lang, debut, COOKIE. As punk as they wanna be, pop. Continuing his legendary appetite for and REUERLY HILLS 9021 have delivered their Ambient and centred... ethereal and direct, Green Day ensure INSOMNIAC blows the doors self-experimentation, TAFKAP bulldozes over deliriously odd new album CLOUDS TASTE ALL YOU CAN EAT continues kd’s habit of reinoff of every other guitar album released in his own personal boundaries taking his bad- ; METALLIC. An under current of false starts, venting herself with each new release. 1995. Brash, snotty, and unaffected, Green ass brand of sassy electrifying funk to new distortion, buzzing amplifiers, and studio Sensual; funky, and folkie, she combines sinuDay mix melody and noise, proving them- levels. THE GOLD EKPEAIENCE is the work of an chatter, compliment their trademark quirky, ous melodies and explicit emotions to create selves the undisputed leaders of 90s punk artist who continues to thrive in a league all homemade blend of guitar sounds, producing a frank and enticing musical mix. rock. of his own. another classic swirly pop record from these masters of melodic mayhem, losaa ions] H@MBI nauMa QOART® EiOMy !■ , SPIRIT OF THE HE r I IteaßfSKl fiuOi-R" bp jswtJ lllfc O w IbM-Ssi t, YAkUARO : kbikkfekaYj ■Mg ,1 ... WW ——■ WiffWiainlSßßnffß MiM'llilWMHlTlflilTlim JTBWJffIHg jflliffllTKPllllflllTliiHift Joshua Aedman, Saxophonist-extraordinaire, New York bebop group Jazzhole present a sly with the help of hip hop kingpin the Notorious in contrast to the playful cynicism of Francis is the personification of jazz in the 90s. His mx of Jazz, hip hop, and RS,B on their second B j G the Junior M.A.F.I.A, a tight-knit clique Dunnery’s critically acclaimed 1994 debut, fourth album, The 2CD set SPIRIT OF THE album AND THE FEELING GOES ROUND. The album from out of Brooklyn, NY, have just dropped FEARLESS, TALL BLONDE HELICOPTER is brimming MOMENT, was recorded live at the Village transports the listener to a fictional radio their debut album, CONSPIRACY. Utilising a with the headiness of a front-end collision Vanguard In New York, and with both tenor station, WACJ-FM, where Jazzhole are the in- kicked blend of uocal gymnastics and hard- with love and self-esteem. Taking full responand soprano saxophones, Redman delivers an studio guests, playing a fresh and funky mix hitting bottom end beats, the Junior sibility: for the album’s emotional, melodic; expressive range of inspirational jazz, mak- of urban flavoured pop, rap, and jazz. If M.R.F.I.A’s slammin’ sound makes CONSPIRACY and rhythmic core, Gunnery has crafted fifing it one of the most significant and endur- you’re into the sophistication of jazz, the most eKC itmg and innovative hip hop teen superb guitar-flauoured rockers, and ing live jazz albums ever. matched with a raw 'street* vibe, then album re i eased tWs year TALL BLONDE HELICOPTER reveals him to be in Jazzhole are the band tor you. full creative stride. nMlk x 1 B, /Si ’ i-. A ’M’ \ W ! fST : w < ..a’- ah ? mmL - Biii ■ :r > f JI MiSiiiM _____ FFftajß A; | |n ; r 1 Down is the supergroup formed by individual ffiMklllbll No other group has been able to connect members of the bands Pantera, Corrosion Of NAKED SONGS is quite possible the definitive The Madonna-owned record label Maverick R efl qae’s rich and spiritual heritage with Conformity. Crowbar, and Eyehategod, and Rickie Lee Jones album. It boasts the timeless have signed another winner in the form of the toda| , s contemporary music scene like Ziggy NOLR ls ,he bi 99 est ballbreaking hardcore singer / songwriter performing 14 works Sacramento-based band the Deftones. Their Mar and the Melody Makers Their fifth alburn you’ll have the pleasure of going deaf, culled from her past recordings, live and 11 -song debut ADRENALINE bristles with a | bum FREE LIKE WE WANT 2 B was recorded at to this « ear Picture an amalgamation of the acoustic, self-accompanied on guitar or piano. determination, frustration, and passion, cap- (he |e _ en( | a ' ' Tuff Gonq stU(l j o in Jama j Ca hardest and fastest moments from the aforeOn Naked Songs, Jones delivers inspired turing the melodic sensibilities and raw, Hue the sq s thgt , ujnta , Ma rley sou d, mentioned bands, and you’ve imagined the instrumental and vocal renderings of the energy of a band who cite Bad Brains and while still echoing the sights and sounds of ’ sound of Down. Strictly for the hardcore, songs that have become integral in the histo- Jane’s Addiction amongst their influences. today’s reggae and R&B scenes. Packed with M .■,■■■. A. ry of popular music. B true masterpiece. Like the album title suggests, the music of the „ a |rit , FREE LIKE WE mnNT 2 B con ffljg} 9 I3TO Deftones is nothing short of a total aural rush. t |egacg of classjc Mar(eg Reggae Vai// B fissi • a tmues the legacy of classic Marley Reggae. EM ' *• y UPC Did h ID jj£L£Dj£ j: DWIGHT VORKHM “GONE”, MADONNA “SOMETHING TO REMEMBER” (Ballads collection with 2 new tracks), QUINCY JONES “Q’S JOOK JOINT” (Quincy & friends including Bono, Steuie Wonder and Ray Charles), THE RENTALS “RETURN OF THE RENTALS” (Matt Sharp from IDeezer’s solo project), RANDY NEWMAN “FAUST”, RNTHRRH “STOMP 442”, TRRCEY CHAPMAN “NEW BEGINNING”, AZTEC CAMERA “FRESTONIA”, PRETENDERS “ISLE OF UIEW”, JAN HELLRIEGEL “PURE PLEASURE”. B i W?-.' .vp .' ■ .. •< -■'■ ■ ■■■■• -A-■ . . .... : -.A :■ ■ •. .. . . ■.