Page 27 Advertisements Column 2

Rip It Up, Issue 216, 1 August 1995, Page 27

„ ' -t-'•Hn-x--* « ' <■ - l -"- 3 f ?*L„‘ ’ «? *" 9 < :-- -»•■•< »V' s-. ’ *• fIBtWJWVW’®« - THE RETURN OF z r-^s-C’/’'A* * J tt 4 - ? /*'*?' ry.J r x* ' -4-- - y. -X- - ' . ..' ■- ’• .-X5v77-: ' >-- '- ’• ' >• _ ’ ‘ THE LAST POETS r ••* ’1 -e * '■* ’ i’ S 7' *’i: *Hs >-• ' '•* For the first time over twenty years, original members of revolutionary rap pioneers The Last Poets reunite and release HOLY TERROR, an album as vital and relevant today as any work by the Poets in the 70's. Produced by Bill Laswell and featuring lyrics and vocals by Grandmaster Melle Mel, fat & funky grooves from Boosty Collins and Bernie Worrell, and guest vocals from George Clinton. ■ - —'’—’LiF “The Last Poets were the first real aggjgfcT' WW hardcore rappers.” ■■ ” lce C i ' ' >.. V & «A < - Z l ' S ' ' ' .. . . ■.'?■■■ *' * ’ ■. ■ '■ -■ jjjPl • *“The Last Poets were a great f" y " \ ' , .V' ’ T ■ inspiration to me when ! was young.” Pff-7 •■' -SpikeLee I ■.. ■ - . VA?' ~ ‘ft all comes around. Everybody has ’ . finally caught up to what the Last Poets were saying a generation ago - and it’s more more relevant and necessary now than at any time ’ before - Chuck Dof Public Enemy 3425 TOUCH TUNES