Article image
Article image
Article image
Article image

How does one describe Soul Coughing? How about guitar skittering surf-like chicken scratching grooves, backed by blasts of orchestral sounds and random environmental noise from a realtime sampler keyboard player (not a preprogrammed sequencer or click tracked DAT). And, over that, a vocal that shifts midstream from melodies to chant to spoken word to rapping. Produced by Tchad Blake (the engineer for Mitchel Froom and Tom Waits and a Latin Playboy in his spare time), the album captures Soul Coughing's irrepressible live energy as well as lots of eccentric sounds.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RIU19950501.2.7.2

Bibliographic details
Ngā taipitopito pukapuka

Rip It Up, Issue 213, 1 May 1995, Page 3

Word count
Tapeke kupu
90

How does one describe Soul Coughing? How about guitar skittering surf-like chicken scratching grooves, backed by blasts of orchestral sounds and random environmental noise from a realtime sampler keyboard player (not a preprogrammed sequencer or click tracked DAT). And, over that, a vocal that shifts midstream from melodies to chant to spoken word to rapping. Produced by Tchad Blake (the engineer for Mitchel Froom and Tom Waits and a Latin Playboy in his spare time), the album captures Soul Coughing's irrepressible live energy as well as lots of eccentric sounds. Rip It Up, Issue 213, 1 May 1995, Page 3

How does one describe Soul Coughing? How about guitar skittering surf-like chicken scratching grooves, backed by blasts of orchestral sounds and random environmental noise from a realtime sampler keyboard player (not a preprogrammed sequencer or click tracked DAT). And, over that, a vocal that shifts midstream from melodies to chant to spoken word to rapping. Produced by Tchad Blake (the engineer for Mitchel Froom and Tom Waits and a Latin Playboy in his spare time), the album captures Soul Coughing's irrepressible live energy as well as lots of eccentric sounds. Rip It Up, Issue 213, 1 May 1995, Page 3

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert