Page 34 Advertisements Column 2

Rip It Up, Issue 121, 1 August 1987, Page 34

What Does The Human Clock Do? . - • T.M. Ask Craig Krampf. , - A drummer |n toda y- s recor di n g and perph; ] forming environment must be prepared for , '• / OS- f j anything - playing, programming, triggering, sampling, syncing - and also the unexpected as ' 1 it occurs." “Three'recent album projects I worked on ‘ .V, j wanted to use some 'home demos’ as Masters -- because there was magic there - but NO - T',’ " ‘ '■ 1 SYNC. NO CLICK had been printed.” I . Z' \ - C 'I was able to replace the old drums with p-”' Ah t . new programming in my drum machine ■ because the Human Clock made my LINN forming environment must be prepared for anything - playing, programming, triggering, sampling, syncing - and also the unexpected as it occurs.” "Three'recent album projects I worked on wanted to use some ’home demos’ as Masters because there was magic there - but NO SYNC. NO CLICK had been printed." "I was able to replace the old drums with . new programming in my drum machine because the Human Clock made my LINN || &#«. .L, V / ||g|| follow the music, we got a great new drum V., -\ v/ ||||| part without losing the feel as the DEMO •_ T.’/# became a MASTER.” • . \ "When a producer says to me ’lf we could 5 X' | only.. : I’ve been saying 'I can do that!' a lot 1 - |;- : || ■ recently becuase of the Human Clock." . • ‘ B . THE HUMAN CLOCK IS FOR ONSTAGE: The Human 8 Clock makes sequencers and drum machines follow the • - , — band’s tempo. No more click tracks blasting in your ear, "j""’ 1 ’ f‘ V ' no more straining to hear what the machines are doing. ; J| S' few No more android feel. The clock takes a rhythmic analog || |||||| ) ’ Hr ' pulse (such as the drummer's bass drum) and converts it to a responsive, variable MIDI dock. ...... • THE HUMAN CLOCK IS FOR HOME RECORDING: With ■ Craig Krampf is one of the busiest session drummers the Human Clock, you can sync your sequencer directly in Los Angeles. He has worked with such artists as Steve t 0 the re ~ recorcfed drums, no need to waste a precious Perry. Little Richard. Kim Carnes, Santana. Jane Wiedlin. track on snc tone ' ° r ' for a variable sync tone . simply The Motels. Dwight Twilley. Craig is also a Grammy record the bass drum on a separate track and use the winner for Best Original Score as co-writer of "Where Clock to add as many parts as you like. The Heart Is" in "Flashdance". . THE HUMAN CLOCK IS FOR STUDIO MUSICIANS: Let your machines play all the complex and tiring patterns while you play the important "feel" oriented parts. The Human Clock will make the machines follow you. i P.O. BOX 9648, NEWMARKET, AUCKLAND. j • Want to know more? Send us this coupon and we'll ! Distributed by Custom Music Ltd, I send you a FREE brochure on the Human Clock. ; PO Box 9648, Newmarket, Auckland. '! X ress smn , ' 7in ~ I Q O' 'P O»• fp ■■ '' " ' 1 J PAT. APPL’D FOR