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THE DIGITAL REVERB THAT’S TAKEN THE WORLD BY STORM! VERB THE CONTROLS MIDIVERB ... as in MIDI Controlled Reverberation. Push buttons for increasing or decreasing the Digital Reverb ... he Real Thing. current programme number, setting the MIDI ’ ' X 63 preset programmes that cover the spectrum of recording channel for receiving patch change data X ’ X and performance reverb effects. From 0.2 seconds to 20 (channels Ito 16) and a button for alternately \ ’’’ seconds, smooth and lush. Reverse Reverb and Gated defeating the reverb output. ~ ** • - Reverb. Bright programmes to dark and deep bottomed HI programmes. Small rooms to enormous aircraft hangars. X ~ ~ Controlled by the front panel or throughMlDl patch change THE DEAD PANFIL • " " data. Stereo in, full stereo out ... wide and spacious. ' riK I\EMH rMHELd Dry-Reverb mixing for stand alone operation or with Stereo inputs, RCA phono jacks, 50k Ohm X ’> . the sends and receives of a console.- Perfect for multip e impedance. A mix control for setting the dry- . . '• reverb setups and small home studios -.. You can finally reverboreffecismixinstandaloneapplications. . MPF- consider owning more than one digital reverb ... .because stereo outputs, RCA phono, Mo Ohm j. i - W '■ . , the best part ,s the price... . I ance. MIDI In and MIDI Thru. / . ■ . ! :/. ■ ' ' THE TECHNOLOGY V ZZZZZZ —— —■ MIDIVERB and MIDIFEX use a new design B W ■■■Bpr “ ' - ■■■■ approach, borrowed from the most recent tn ‘ = ~ — in computer hardware: RISC architf- , Now in the MIDIFEX, Alesis have captured 63 polished : ■’ . , RISC designs (standing lor Reduced 'Millllti effects in one stereo unit and offer you the ability to control ' ■ a ' m P u y)’P r ° vl e .,f 15 ™ 5 “ thematthetouehofabuttonorviaMlDlforbothliveand ' exZ Sma " *' °'.P 0S 1S5»I» r uuunivcaiiu execute verv quicklv, as studio use. i "i- t t ri cl ~ , . complex' machines that cauyiniHHHHuHHHUHiyniUijxHSHinnHniHiihH Just dial up one of the programmes and let the unique ’ power but operate slov C\ ># ■" ' software generate the effect you ye chosen: You can select RISC m-whin .= ’ iTv** from 21 different echoes with short, medium or long repeat evnenßive and P y • Z N® ® i times and varying amounts of low, high or band pass filter- • seem tn have ing. There are 15 multi-tap delay effects with stereo panning perform!' f"C\ of sound that bounces left to right, regeneration programmes MIDIV iCX) with up to ten echo repeats, and slap-back echoes If you need " z sm ji : 'Xj <>> * a little stereo enhancement, there are 4 programmes to m "" A ■ choose from as well as a collection of 9 reverbs ranging from q XX Cr reverse and gated effects for drums to huge room sounds for >0 'S? vocals, keyboards and your imagination! ' .A <a Cj And to add spice to your mix, Alesis have created some ' X* jCt V* K ' special programmes that offer you some very different pro-- X* -duction techniques: Reverb Bloom and Multi-tap Reverse v Pan are just two of these amazing effects which have just got , «,Q Zx^ - to be heard! V" _O* Zy
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https://paperspast.natlib.govt.nz/periodicals/RIU19870601.2.18.1
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Rip It Up, Issue 119, 1 June 1987, Page 11
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756Page 11 Advertisements Column 1 Rip It Up, Issue 119, 1 June 1987, Page 11
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