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w ‘S’ Mt tyrmuf pZ/ '/ri/tZ </ //* /< \ _ . r -w3k..y---. 1 v-i!’-' £ Vi JHI. <;, 0L KVI H It •If? mmv* /Z< /fyfn/j ?/ /Zr /&*■'■*'}? M y/*n.>. .. /<ltd*mrr. f/. /'-’t WHmwiwi c«meS*r W“*M* nr .«'" • »*T\.ea sv in /■ .Mif '» ' ■} i: A K ! #■' ' ... .*■■>'■ -y tv 7»- %U*.C It was a simple sound bom in the cottonfields of the Mississippi delta in the mid 19th centuiy. They called it The Blues and it helped shape popular music for the next 120 years. Part of this legend is Southern Comfort, the Grand Old Drink of the South. Comfort was at the heart of the music revolution in New Orleans right from the start. And like the sound o( The Blues, it soon became widely acclaimed throughout the lower Mississippi Valley and as far north as Memphis and Chicago. Comfort was there when people like Jelly Roll Morton, Bessie Smith and Scott Joplin made music histoiy in the Beale Street clubs and bars of Memphis. And it was there in the decades that followed, at the first New Orleans Mardi Gras, through the jazz era, vaudeville, swing, country, R & B and rock n roll. And though the music has become more sophisticated, till this day it still retains the unmistakable mark of its southern origins. Just like Comfort. Smooth, full-bodied, and like music, versatile enough to have any way you want. On the rocks. With a squeeze of lemon. A dash of bitters. Or with any ofyour favourite mixers. Southern Comfort. The Spirit of New Orleans since 1860. sueapo J° »F! d S a MI WOJ“">3 Wf™**; io9BilP aju l s RRH m±z . jdmo| 3ip jrioijSriojip • pouirepoE -AjopiM puy -||oj u >|doj pire g % y 'Xflunoa‘9uims - ‘{SjaxilU OJUnOAEJ ■'. , Oj|lA3pm?A ; '‘T2J3 ZZe( Dip l|9nojip ‘SEJ^ 3un?D3C|:Uoos ;i ‘S9rt|g 3ij p jOjpunos 9ip 9>|l[ puy ‘ms in irnnnrnAa ioisriiii-airiTO'-irß3i’i< ai litre opm SHJQ -4,1; UI Uol}nioA9J 9ISUUI 3m JO 4JE9U 9U} }E SEM 4UEAY noX* XeAYAUE 9AEI| 0} L|SnOU9 3[4USJ3A • •.‘Disriui 3>|i|;pire : ‘p9ipoc|r||nJ ‘ipoouig so no oisnui 193 35?*>raS jEpdod 3dui]s p9dj3i] ;i puE,S9n|g 9^J ji *Xjh}U9D Ifjgj piui 91|4 - 3I P suroio-i |[i js.-ii AT;p sii| I. ||p :* px^usi^dos. 9JOUI 3U1099Cj SElj DISUUI 3ip tjSnOip •oSu3ii|3 puE. sii[dui3^y 3ip ui aioq punos 9[duris e sea\ \ : iU se ipjou jej se puE XbjjEyY iddississijy f,* ■ , a m 1. M t*3 HKSk.WS’t •; .... • _ ' -- (WrvO-v aw ff 0 OU9XOD .M 4»\UM |S i HM/kt awwwwiwuS, .-■>v .' r- - ,«#a P: ><r. -4 S 3 •f/J N EPB£ -v.'r . i ss St ?>w . :Z£V V «»?• • V. .fl v-:v l\ a »•/ 7!?*= sss & « • *>• ••*“ pi sft 3S^ S5Ti ? v v v’V^ Jtr, 7* J V •'.jJi-jCv vma

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RIU19851001.2.34.1

Bibliographic details
Ngā taipitopito pukapuka

Rip It Up, Issue 99, 1 October 1985, Page 23

Word count
Tapeke kupu
429

Page 23 Advertisements Column 1 Rip It Up, Issue 99, 1 October 1985, Page 23

Page 23 Advertisements Column 1 Rip It Up, Issue 99, 1 October 1985, Page 23

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