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flltS strings fey; Technology . ... Much of the GHS success in stringmaking is h stringmaking is due to constant research and experimentation in fenri-Mi np» • ». firiinwii vi''<*<mi 1 ~ swum iiawwi mUFII'iTFfH . .developing new strings and new ways to ■ approach ‘‘the state of the art '.” j - V ' The GHS reputation has been forged by careful consideration to every' detail of string design. Such little-known factors as core-to-cover . ratio, winding direction, alteration of the wire, and a host of other challenging variables all get close attention. ' .* J ‘- Critical to good design is the material selection. From a myriad of metals—nickel.' steel, brass, bronze, silver—and nylon. \ GHS chooses » , the com- > bination >- Bf* for core and wrap best suited for each string, design. --'y KINGSLEY SMITH 43 Rugby Street, ; MUSIC SHOP T elephone°Bs7 902

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RIU19830501.2.55.3

Bibliographic details
Ngā taipitopito pukapuka

Rip It Up, Issue 70, 1 May 1983, Page 24

Word count
Tapeke kupu
129

Page 24 Advertisements Column 3 Rip It Up, Issue 70, 1 May 1983, Page 24

Page 24 Advertisements Column 3 Rip It Up, Issue 70, 1 May 1983, Page 24

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