Page 5 Advertisements Column 1

Rip It Up, Issue 45, 1 April 1981, Page 5

■' • J • •igy Tbs LOlers ’ i •. mm mm - ?m ■ •m St SI Si i&S $35 - n ,;■ . .. 4m& , && . W 4 \"*- 1 m m l & ■ ■f**! '>■'; - 'ff.VS .fnPfttKTZ Mi 33 rw . .' , - , - ■ : ■•; f ■ • ■ - - rn fel&•' ■ y : *,4 ms 'tS&j r n s®a I • • ■ -'- — 1 ELGIN Aygro bbeakdoto ■ - f-’*: &' ■ ■ ; ifft? at* ■ ■ rue *f 01 ors Elgin Avenue Breakdown THE SOFT BOYS, THE THt UndGrwatGr Moonlight ARM 1 Ready for a flirt with fame, The Soft Boys crossover from late 60’s rock in the vein of Syd Barrett and sometimes Lou Reed to the British new wave. Their anymore.*. *.\ 5 ~'• r t music is slightly avant garde sort of a Byrds-meet-The Only Ones. -1 —«* * f NI^ I |olt taDes of Joe Strummer’s pre Clash days! fh» 2 vlars between 1974 and 1976, The g-5S5HSrSvfe areal gift at only $8.99. VARIOUS, Cash Cows Art^ts'incfuding^XTC^ 910 Captain'Beelteart, Skids and many more. — JX_ it*lV* n f'Mt AmAMA x >w*; ' <3= k MH •• . - .. . . •. -a£> 3 released B -■ y .-f- ---. m ;' - '' S 3 ' rv. E» o »a EkSSsEH L v- - . I magazinel r-4 m PLAY. magazine! PYLOIM v. m m mUi PLAY. - ■: . v>’Hr. mm; ‘ mm ■* .. '< (*{/ 3£i m n ■ Wm&L tfi. ± • ■ ‘.fin W ■ \ s *»‘ ■;. ■<i£ MsSS . 1 I | 95 ■ • I Hrl fMfl r - Ss&ifc* I ■ ■ . -.1 I ■ ■3&&: ' I rS S: I • • I I m its % si@si - ; mi j W*j I I:--.: ® n ■ I i \ : v. - SIB sii I li* ■ SU ax.'., ■B if«S ■'-. # ra| I I ■ I ■ h}4fs£iM ■ • A i% ;■ \ :<-■■■•: ,-*■■■• I " - I . v I L — —— {I-:-t' «;r. i 1 I ; s jJsJfM*** 3 Mmshthe SIWSH] >c . mk gyrate s^aa r i w " magazine, Play PYLON, Gyrate DID 9 MAGAZINEHRIay V 2184 / TCV2IB4 , buIT) that breathes ARMS anadian “ PI , a !V S urnnsolfdates Magazine’s future whilst Sensational debut - scored No.l on the UK Indies real life. It consolidat 9 it jo ins big sister charts - Pylon ha,| s from Athens, Georgia (852’s h hi onhancma their past. Am yy « 1110 ue9r ’s best hometown). They’ve got all the necessary ingredients ryo [uniquei persona^ ... check ’em out! real life. It consoiiaai^ ' h^? a sVe A ™^ n a 9 s l, one , oi'tVe’year’s enhancing men Correct Use Of Soap ‘The albums SOUNDS ~ » i ~r gS3WBOSHtK3j&i <52, mm ■■•?•'■ r.'. 1 - i •■■ . W(§ ■ 6 ■ . . ■ m&mM m :«r. . 'l*->•■■■";'.' ' .-■ • <•' . . .' . -■ ter ■ /' X %. ■';■■:>• ft • 'i'x'SxSX'i • I!C7 ... check ’em out! ORGANISATION Manoeuvres in the Dark ... •> NASH THE SLASH, Children Of The Night DID 9 'SSSS^T”" both sides of the Atlantic* vuith^" 9 th ® punters on "uS^bTanro^ Brilliant! of e,ectromc machinery. . . MM : a I ■ . ■ ~ ■■■ . %*■ •. m ; J m : " ■ illi k «a ■ .. lx u ; : :.’ ;• '.' . , - } ' ; fi’il ',., ■>'rV ■; ‘•*?f yy«w iff'; « ii .C 'tv.,' V < • i a ®i%; ■ ~,5j 5K THE RESIDENTS , Commercial Album RPH 2 most [progressive, and | individual RPHI2] DID6]/jDIDC6 Hailed as • • \' For your frustration and delight, the “Commercial iM-.wjjwMiiiiuauqiiuiiiandigßiigm^ine^ | Album” is a collection of 40 tracks each lasting 60 seconds ... all wrapped up in the Residents silly uced by Sly SOUNDS P roduc f |on * Ah ■ exasperating delight! oOUNDS ORCHESTRAL MANOEUVRES IN THE DARK, Organisation DID 6 / DIDC6 , , „„ A stunning album which went straight in the UK Top 5. OMD who are one of the leading bands to come out of the Liverpool resurgence continue to make a great contribution to contemporary music. A masterpiece we urge you not to miss! - - '- : ofltl^OlsKlßrfßHHKlK'. ■ i 53a m i * & Sf n.’ji if m BLACK UHURU, Black Uhuru ONLY 2 Hailed as one of the most progressive and individual talents on the roots reggae scene. Produced by Sly Dunbar and Robbie Shakespeare who have graduated from being the hottest young rhythm section of the late ’7o’s to being the hottest young production team of the ’Bo’s. m ' ■■ • • ■ -■- .:. 11 w