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Val Gielgud (left), in charge of the drama department of the B.B.C., prefers a simple story, well-told, and with a minimum number of characters. Lance Sieveking, a revolutionary producer for the B.B.C., leans toward the opposite view.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
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Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RADREC19360626.2.19.1

Bibliographic details
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Radio Record, 26 June 1936, Page 12

Word count
Tapeke kupu
37

Val Gielgud (left), in charge of the drama department of the B.B.C., prefers a simple story, well-told, and with a minimum number of characters. Lance Sieveking, a revolutionary producer for the B.B.C., leans toward the opposite view. Radio Record, 26 June 1936, Page 12

Val Gielgud (left), in charge of the drama department of the B.B.C., prefers a simple story, well-told, and with a minimum number of characters. Lance Sieveking, a revolutionary producer for the B.B.C., leans toward the opposite view. Radio Record, 26 June 1936, Page 12

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