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LESLIE HOWARD The screen honours of the year must go to Howard for his make-up. of Rothschild"—he is likely to find himself in the same happy position in 1935, thanks to "Richelieu." Based on the famous play by Sir Edward BulwerLytton, Cameron Rogers and Maude Howell's screen play shows us the human side of the prelate who stood behind the throne of France. The direction of Rowland V. Lee, who

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
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https://paperspast.natlib.govt.nz/periodicals/RADREC19350712.2.14.10.1

Bibliographic details
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Radio Record, Volume VIII, Issue 1, 12 July 1935, Page 28

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70

LESLIE HOWARD The screen honours of the year must go to Howard for his make-up. of Rothschild"—he is likely to find himself in the same happy position in 1935, thanks to "Richelieu." Based on the famous play by Sir Edward BulwerLytton, Cameron Rogers and Maude Howell's screen play shows us the human side of the prelate who stood behind the throne of France. The direction of Rowland V. Lee, who Radio Record, Volume VIII, Issue 1, 12 July 1935, Page 28

LESLIE HOWARD The screen honours of the year must go to Howard for his make-up. of Rothschild"—he is likely to find himself in the same happy position in 1935, thanks to "Richelieu." Based on the famous play by Sir Edward BulwerLytton, Cameron Rogers and Maude Howell's screen play shows us the human side of the prelate who stood behind the throne of France. The direction of Rowland V. Lee, who Radio Record, Volume VIII, Issue 1, 12 July 1935, Page 28

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