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2 FC

SY DNEY NATIONAL STATION ee

SUNDAY, MARCH 10. 9.0: Relayed to National Stations: Dr. Bdgar L. Bainton will speak on "Highbrow versus Lowbrow Music." 9.45: "Miscellany," including Collingwood Citizens’ Band: Conductor, F, C. Johnston. Overture, "Napoleon" (Bilton). William Crouchey, baritone, ‘"M yself When Young" (Liza Lehmann) ; "The Lute Player" (Frances Allitsen), David Gisserman, ’cellist, "Second Ariette Oubliee" (Debussy) ; "Wifentana"’ ‘(David Popper). Collingwood Citizens’ Band, Symphony, "The 94th Psalm" (Nicholls). _ 10.45: ‘The Major’s HWxpectations’" by. Hdward Lovell Cooper. One of the plays accepted in the Australian Broadcasting Commission’s recent playwriting competition. Production. Frank D. Clelow. 11.10: "In Praise of Bells." A_ programme arranged by George Findlay, Mus.Bac. Assisting artists: Norma Darroch, mezzo-soprano; The Sundowners’ Male Quartette; George Findlay, piano. Bnsemble, "The Belis of London Town" (Ellicott). Piano, "Bell Ringing" (Grieg). Numbers include mezzo-soprano, "The Bells of San Marie’ (John Ireland). Mezzo-so-prano, "The Bells of Christmas’? (Martin Shaw). Piano, "Wind Bells" (Kameneff). Ensemble, "The Bells of Alberdiovey’ Welsh Air. Vocal Duet, "The Bell Song’ (Maurice Jacobson). Quartette, ‘Peter, Go Ring Dem Bells" (Fiskes). Ensemble, "Bells Across the Moor" (Hdith Harrhy). 11.40: Unit Four: Collingwood Citizen: Band, a selection of Stephen Adiams’s Songs (Hume). Paulyne Bindley, soprano, "A Little Maiden Loves a Boy" (Clough-Leighter); "Lhe Bird of the Wilderness" (Hdward Horsmann). Collingwood Citizens’ Kand, cornet solo. "Abide With Me" -(Liddle). Soloise, Theo, Farrel. Paulyne Bindley, "The Night Wind" (Farley); ‘"Pastorale" (Bizet); "Life" (Curran). Band. March, "Action Front" (Blankenberg) ; Hymn, ‘I’m Praying For You" (Caross). 12.15: Bpilogue. MONDAY, "MARCH 11, 8.15: Dinner music. . 10.0: A National Programme. ‘"Dorothy." A Pastoral Comedy-opera in three acts, written by B. C. Stephenson. Music by Alfred Cellier, Performance under the direction of Willie Redstone. 12.25: A programme by the National

Military Band, conducted by ‘Stephen Yorke, and "The Strollers" Vocal Trio. Items include :-Band, March, "Fathc: Rhine" (Lincke); Overture, "Roman-~ tic’ (Kela-Bela) ; Suite de Ballet "La Source" (‘Delibes) ; Scarf Dance, Var:ation, Circassian Dance; Selection, "Bitter Sweet" (Coward). Band, Valse, "Morgenblatter’"’ (Strauss). Fantasia on Drinking Songs, ‘Bacchamalia" (Finck).. 12.40: Boxing resume. 12.55: Dance music. See 38LO. TUESDAY, MARCH 12. 8.15: -Dinner music. See 3L0. ; WEDNESDAY, MARCH 13, 8.15: Dinner music. 10.0: A National Programme. From the Conservatorium. of Music, Sydney. Chamber Concert by Members of the N.S.W. State Conservatorium Orchestra, conducted by Dr. Edicar L. Bainton. Soloist: Perey Grainger. (1) Perey Grainger: Talk, ‘Various Systems of Harmony." (2) Developmen‘ of European Vocal Harmony. (a) "Foweles in the Frith," early Emnglis) Marony (about 1240). (b) "Alleluya psallat,’ English, late 138th century. from "Worcester Mediaeval Harmony," by Dom Anselm Hughes. (ce) "Beata Viscera," English, late 13th century. from "Worcester Mediaeval Harmony,’ by Dom Anselm Hughes, (d) "Palestrina" (Italian, 1525-1594); "Mori quasi il mio core." (e) Sparre Olseu (Norwegian, b. 1904): ‘‘MountainNorway." (38) Development of Huropean String Music. (a) Guillaume de Machaut (French, 1800-1877): ‘Rondeau No, 14." (b) Josquin des Prez (Netherlands. 1450-1521): "La Bernardina." (ce) William Byrd (English, 1548-1623): Six Part Fantasy No. 1. (d) Wilkum Lawes (English, d. 1645): Six Part Mantasy and Air, No.1. (4) Oriental] Art-music. "Sekar Gadung," Javanese gamalan ensemble. transcribed from a gramophone record by Norman Voelcker and "Percy Grainger. (5) Development+of Song with Instrumental Accompaniment. (a) "Aus fahr ich hin" (German song. about 1400). (b) Lyonel Power (English, b. 1420): "Anima mea liquefacta est." (ce) Heinrich Sinck (German, 1445-1527): "Schoenes Weib." (4) Paul Hindermith (German, b, 1895). "Die junge Madge." (6) Folk-har-monisations and Their Influence. (a) "Kindling Wood," from ‘"Great-Rus-sian. songs in Folk-harmonisations by ' Wi. Lineva. (b) "The Flowers That Bloomed in the Field." from "GrearRussian Songs in Folk-harmonisa-tions," by TE, Lineva. (ce) Rachmaninoff (Russian, b, 1872): "Thand ye the Name of the Lord,’ from "Songs of the

Church." (d) "Lallaby," from "Negro Folksong." Hampton Series, note down by Natalie Curtis-Burlin. (¢} "Gawd’s Agwine to Move all de , Troubles Away,’ from ‘Negro Folksong," Hampton Series. (7) Experimental Music. (a) Claude Le Jeune (Belgian, 1528-1602).: "Pretty Swatlow." (b) Cyril Scott (English, b. 1878): Excerpts from Piano Sonata Op. 66 (irregular rhythms). (ce) Cyne Seott (English, b. 1878): Adagio from Quintet for Piano and Strings (gliding intervals). . 12.40: Dance music. See &Lo. THURSDAY, MARCH 14, 8.15: Dinner music. ~ 10.0:, See 3L0. FRIDAY, MARCH 15. 8.15: Dinner music. 10.0: "Old Lady 31." by Rachel Crothers. Adapted for radio and produced by Lawrence H. Cecil. A summer’s after! noon. The garden of a sweet oldfashioned little house. We discover an aged couple gazing their last on the beloved home which had _ sheltered them for years-misfortune had overtaken Angy and Abe, and now at. last they must separate. Angy must spent ‘her declining years in an old Ladies Home and Abe the rest of his days m a poor house. The next scene takes place in the well-ordered home for Oli Ladies-Angy and Abe have arrive! and- are bidding farewell for the lasi time. The pathos of the scene arouses the pity of the inmates. They talk the matter over and the idea that Abe shall be taken into the institution as an old lady is put to a. vote and’ ali agree-his number is to be 31. But after a few weeks the smooth -runming of the institution is gradually impaired. The disturbing influences of sentiment and romance are undermining pro- , priety and d'gnity. and the unsuspect | ing cause is Abe Old Lady 31. ‘ A Musical Interlude (record), A programme by the National Military Band, conducted by Stephen Yorke: Herbert Williams, bass; and Dan ant Sheila Agar, entertainers, Band overture, "Macbeth" (Hatton). Herbert Williams. "Morning" (Oley Speaks) ; "On the Road to Mandalay ' (Oley Band, selection, "The Count of Luxembourg" (Lehar). « A Comedy Interlude by Dan and Sheila Agar. Band, Pas de Fascination. "Fa‘ry Dreams" (Wood); "O Sole Mio" (Capua); "On the Road to Zaz-a-Zig" (Lincke); Pieeolo solo. "The. Wren" (Damare), Soloist: Bert) An J derson, Herbert Williams, "pn Mighty Deep" (Jude): "Timehouse’® (Walford Hyden) ; "Witch of Bowden’ (Breyille-Smith). Band, Valse, "1001

Nights" (Strauss) ; "Colonel Bogey on Parade" (Alford), { 12.40: Dance music, See 3L0. SATURDAY, MARCH 16. 8.0: Dinner music, ‘10.0: A National Programme, A pro- ~ gramme of Music inspired by William Shakespeare, presented by the A.B.C. (Sydney) Comcert Orchestra, conduct: ed by E. J. Roberts, and the Wireless Chorus ,conducted by Joseph Post. Orchestra, Excerpts from ‘"Midsunmer Night’s Dream" (Mendelssohn, arr. Finck). On the music composed for Shakespeare’s Fairy Play. Wireless Chorus, "O Mistress Mine" (Mac: Cunn); "Blow, Blow Thou Wintry Winds" (Wood) ;."Fuil Fathoms Five" (Wood) ; "Over Hill, Over Dale" (Hatton). Orchestra, Suite, "As You Like It" (Roger Quilter): (1) Shepherd’s Holiday; (2) Evening in the Forest; (3) Merry Pranks; (4) Country Dance. Wireless Chorus, "Ye Spotted Snakes’ (Mendelssohn) ; "What Shall We Hav2 That Killed the Deer"’- (Post); "Det Me the Canniken Clink’? (McBDwen). Orchestra, Songs of Shakespeare's Time (arr, Borch). Wireless Chorus. ‘Winter’ (Rowley) ; "Come Away Death’ (Vaughan-Williams); "Wed ding is the Great Juno’s . Crown" (Yours). Orchestra, Suite, "Merchant of Venice" (Rosse): (1) Prelude; (2) Intermezzo Portia; (8) Oriental March; (4) Prelude IT; (5) Doge’s March, : 11.0: A Recital by the eminent English pianist, Gordon Bryan. French music, ‘"Tambourin" (Rameau, 1683-1764) ""Tie Rappel des Oiseaux" (Bird-Calls) (Rameau) ; "The Girl With the Flaxen Hair"; "Puck’s Dance" (from PreBook 1) (Debussy); "Womea t Their Spinning-wheels Near Caran- " from Suite "In. Brittany" (RheneBaton); "The Old Musical Box" (Da Severac); "The Swan" ("Le Cygne’) (Saint-Saens, arr. Godowsky); "The Little White Donkey’; "The FreshWater Seller’ from Suite "Histoires"’ (Jacques Ibert), , 11.25: "Tom-Tom Tom-Foolery." New Light on Darkest Africa. An Anthron- _ ological Absurdity by James J. Donznelly, featuring the A.B.C. Revue Company. assisted by the Wireless Chorus and New Theatre Orchestra, under the direction of Fred Whaite. 12.50: Music, mirth and melody,

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Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RADREC19350308.2.46.1

Bibliographic details
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Radio Record, Volume VIII, Issue 35, 8 March 1935, Page 40

Word count
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1,260

2 FC Radio Record, Volume VIII, Issue 35, 8 March 1935, Page 40

2 FC Radio Record, Volume VIII, Issue 35, 8 March 1935, Page 40

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