At last BASS without BooM Orchestral music doesn t satisfy if you can'& hear the bass. That is why listeners hailed with delight the improvements which brought the bass parts to light from the darkness which shrouded them during the early days of radio. But the experimental stage being passed, musicians began to look for a more artistic and faithful adjustment of the bass to the treble, and for greater naturalness and clarity in the deeper" notes of instrumental and vocal music. Once again Gulbransen engineers and sound experts have risen to the occasion, and nOW present an instrument which at last solves the problem of Gulbranscn 53_~Mantel Receier. Gulbransen 53_donsole Model: the troublesome bass: Gulbransen 53 7-Valve Superheterodyne with the new Automatic Volume Control achieves the ideal of perfectly balanced harmony and absolutely natural vocal tones In both the Mantel Receiver and Console This new feature not only improves the quality Model the vibrations of the deeper tones are of reception, but it also effects a welcome held in check by the Gulbransen Automatic saving in the cost of upkeep: By preventing Volume Control; with the result that while the overloading; the Automatic Volume Control lower notes, freed from blare and reverbera- materially prolongs the life of the pentode tion, are more clearly audible than before, the valve: Other pleasing features are the elim- bass a8 a whole is prevented from usurping ination of Sblasting" when turning from weak the dominant position belonging by right to the to strong local signals; and the control of treble parts Sfading" due to atmospheric conditions. You Or e cordially invited to hear the nez Gulbransen 53. Agents im all principal tozens will gladly demonstrate. G U L BRAN S EN NZ Distributors: H W. CLARKE LTD- 182 WAKEFIELD ST; WELLINGTON:
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https://paperspast.natlib.govt.nz/periodicals/RADREC19320304.2.37.1
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Radio Record, Volume V, Issue 34, 4 March 1932, Page 19
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298Page 19 Advertisement 1 Radio Record, Volume V, Issue 34, 4 March 1932, Page 19
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