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Broadcasting Copyright Music

Interesting Test Case

HE American Society of Authors, Composers, and Publishers propose to collect a royalty fee for the reproduction of copyrighted music broadcast by radio and received in the lobby of a certain Kansas City hotel, The case is regarded as vital to American broadcasting, especially in view of the increasing use of radio receivers in public gathering places, including theatres. Counsel for the defence contends that broadcast reception is not a performance of a musical composition, and that, if it is, the broadcaster does not perform publicly. Copyright holders are empowered under the law to collect royalties for the

public performance for profit of their: compositions, and the broadcasters now pay royalties aggregating approximately 1,500,000 dollars annually (£300,000) for the right to use copyrighted music.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RADREC19310403.2.14

Bibliographic details
Ngā taipitopito pukapuka

Radio Record, Volume IV, Issue 38, 3 April 1931, Page 4

Word count
Tapeke kupu
130

Broadcasting Copyright Music Radio Record, Volume IV, Issue 38, 3 April 1931, Page 4

Broadcasting Copyright Music Radio Record, Volume IV, Issue 38, 3 April 1931, Page 4

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