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How Broadcasting Grew from an Idea

Story of kadio trom Maxwell to To-day

Told by |

COLIN W.

SMITH

BA

= T is indeed difficult to get a true perspective of the history of broadcasting, for the science, as we know it, is only a few years old. To go right to the. fundamentals would take us very far back in history, back perhaps, to 600 B.C., when 2.$su} the magnetic effects of the lodestone were discovered. We cannot speak of the work of Faraday, of Volta and Ampere, whose researches in electricity made radio possible, but we must start with J ames Clerk Maxwell, the greatest theoretical physicist, Newton excepted. Maxwell was a brilliant Cambridge mathematician, and was’ able to formulate a mathematical theory of the inner relations of magnetism and electricity. Maxwell likened electricity to an immaterial fluid pervading all space, and in 1865 deduced the possibility of electrical waves in space travelling onward in all directions from any electrical or magnetic disturbances, and was even able to calculate the travel .rate of these waves, pointing out the remarkable fact that it coincided with that of light. The full experimental proof of the acceptance of Maxwell’s mathematically demonstrated waves did not come for 20 years, although during that time an ‘Englishman came very near to a working system of broadcasting. This was Professor David Hughes; who, in a series of experiments between 1879 and 1886, actually listened on a microphone of his own invention to waves that were generated as far distant as 500 yards. Hughes was a familiar figure crouching about the London streets, bending over his telephone listening for the precious sounds. But he did not receive encouragement, and all his work went for naught. It has taken years to realise the value of his work. Of him Sir Oliver Lodge says: "He was a man.who thought with his fingers, and who worked with the simplest home-made appar-atus-made of wood7and metal, stuck with cobbler’s wax and sealing wax. Such a man, constantly working, is sure to come upon phenomena inexplicable by orthodox science, and orthodox scie:ce is usually, too, ready to turn up its nose at phenomena which it does not understand and so thinks it simplest not to believe in." And orthodox science turned up its nose at Hughes’s work and he directed his creative brain to more profitable channels. is But Maxwell’s astounding statements were not to go unchallenged, and to prove or disprove these theories the German scientist Hertz crossed over to England and commenced the first real researches in wireless telegraphy. ‘ Hertz constructed a coil which fed high voltage surges to two balls of metal and, at a distance of some 20 or 30 feet was able, through the medium of a bent wire, to get a spark moving in resonance with the current in the balls. This was the first oscillator, and it proved Clerk Maxwell’s theory, but Hertz’s discovery, limited though it was as far as ‘voice transmission was concerned, enabled the use of the code of dots and dashes introduced earlier by Samuel Morse. Hertz did not linow of Hughes’s microphone, but did know the apparatus was unsuitable for commercial work, so he left the field of wireless. He had done enough to show scientists that radio transmission was possible. Shortly afterwards, in 1891, Brandley, a Frenchman, invented the coherer-an instrument which detected the presence of wireless waves, though probably he did not then realise that the effect was produced by the waves which Hertz had discovered,

a few years previously. Lodge, however, grasped the significance of Brandley’s. work, and in 1894 he repeated all Hertz’s experiments with a Brandley coherer as detector, and signalled by wireless over distances of up to 150 yards, He also introduced the tuning coil by which stations can be separated. AND now we come to Marconi, the father of radio, but before him we must mention Preece, the English telegraphist who, in 1892, transmitted speech across the Bristol Channel, but not on the Hertzian wave. When Marconi, the brilliant young experimenter, came to English shores it was Preece who

introduced him to the English Post Office, and assured his footing in England. By doing this he was signing the death warrant of his own invention, for Marconi was only 15 when Hertz published the results of his experiments. "T could scarcely conceive," he says, "that it was possible that their application to useful purposes could have escaped the notice of eminent scientists." The boy had seen in a flash what remained unseen to all those great scientists who had been working on the fringe of the subject for several years. As Sir William Preece said: "They all knew the egg, but Marconi showed them how to make it stand on end." ‘Marconi, using part of the Hertzian generator, hooked up to an aerial, and a coherer for detector, developed a system which later was used to transmit the Morse code from England to France. This was in 1899, and in December 1901, just about 29 years ago, Marconi set out to accomplish his dream to conquer the Atlantic. He had built at Poldhu, in Cornwall, a powerful wireless station. The antenna system was supported by a ring of 20 wooden masts, each 200 feet high, for he had found out that the higher the mast the greater the distance that messages could be transmitted. 2YA’s masts are 154 feet, so you can see that 4. was really a big undertaking at that time. A similar station was erected at Cape Cod, in Massachusetts, but the unforseen happened. Storms swept both stations and destroyed the aerial systems, The inventor was not to be sidestepped by an accident, and he decided to make:a preliminary test with a much more simple aerial. On November 26, 1901, Marconi and his two assistants sailed for Cape Cod on the greatest adventure of their lives. The morning of December 12-that set aside for the great experiment-broke cold and rough. With the aerial system destroyed, a kite, carrying an aerial wire some 400 feet Jong, was flown in a raging gale, and at the appointed time the operators strained for the first signal to cross

the Atlantic. It was arranged that this should take the form of the letter "S’-three dots. We will let Marconi relate his own version of what happened. "Suddenly, at about half-past two, a succession ' of three faint clicks on the telephone sounded several times in my ear beyond the possibility of a doubt. I asked my assistant for corroboration, and he replied that he had heard the same signal. "I knew then I had been justified in my anticipation, and that the enormous distance of 1700 miles had been bridged by radio. They had been unimpeded by the curvature of the earth, which so many considered to be a fatal obstacle, and they were now audible in my receiver in Newfoundland." This ended the first chapter in the Romance of © Radio. The Atlantic had been bridged. Now voices traverse the world, and a conference in London can be heard on a crystal set in New Zealand. Speech Transmission. EFORE wireless could be made commercially possible the relatively insensitive detector must be improved. However, although Sir Ernest Rutherford, the eminent New Zealand scientist, and Marconi each invented a detector, no serious advance was made until the crystal detector was developed by two Americans in 1906. Speech, however, could not yet be transmitted, and attention was concentrated on it. Fessenden, of America, was the first toh achieve substantial success, and in 1900 he used an alternator for transmitting wireless telephone messages in Maryland, over a distance of a mile. In 1906 he had greatly increased the range of working and he even spanned the Atlantic, being heard at a station in Scotland. In 1908 he was working on a practical wireless telephone circuit over a distance of 400 miles. Another device for transmitting speech was the Polsen Arc, invented in 1903, and used until 1925, The Valve. [N the early ’eighties of last century Edison noticed that when electric lamps burnt out the glass bulbs became blackened. In investigating this phenomenon Sir Ambrose Fleming, an Englishman, found the space between the hot carbon filament and a metal cylinder in a vacuum would pass current more readily in one direction than in the other. In other words, detection could be carried out as it was with the crystal, This was the next great advance in radio, arid, Aled in the gap left by Marconi. Two years later, in 1906, Dr. Lee de Forest introduced a third electrode in the form of a perforated metal plate or grid. It was. the addition of the third electrode or "grid" intermediate between thet other two which converted the valve into the marvellous instrument as we now have it, For the invention of the three electrode valve, Dr. Lee de Forest, of New York, deserves well to stand in the ranks of the world’s greatest inventors. For the addition of this third electrode, combined with a local battery to drive a stream of electrons from hot. filament to plate through the intervening "grid" nol merely enables the valve to:function as an efficien converter of high frequency electrical oscillations into direct currents of proportional strength; it permits it also to function as a "relay," infinitely surpassing the delicacy of control and faithfulness of reproduction the finest mechanical relay ever yet constructed. (Concluded on page 28.)

The accompanying account is, in the main, the reproduction of a talk broadeast from 2YA on Saturday last by our Technical and Associate Editor.

The History 0f Broadcasting

(Continued from page 8.)

on The application of electrical impulses whether due to the excitation of currents' in the aerial or by electrical waves, or to any other cause-to the third electrode or grid causes a variation of the electron stream passing from filament to receiving plate or anode, and consequently delivered by the valve, which may exceed.a thousand times or more the power which controls it. And this magnification or amplification cap as easily be repeated by using the out put of the first valve to control a second. With this development. radio was given a tremendous impetus and a steady beam or continuous wave could now be sent. This offered possibilities for voice transmission, and as early as 1909 a set, constructed under Fleming’s patents, was used to: broadcast music. The success of these early broadcasts led. Dr. de Forest into further researches, He erected. a broadcasting station in New York, and from there a few selections from "Carmen" over the real pioneer broadcasting station of the word were sent, Shortly afterward Caruso’s voice was picked up directly from the stage of the Metropolitan Opera House in New York and broadcast, but regular broadcasts were a long way off. The first outstanding success in radio broadeasting was obtained between Rome and Tripoli, a distance of 600 miles, in 1912, but long-range telephone

tests became a dead letter in Europe as soon as war broke out in 1914, when attention was centred upon radio telegraphy mainly from aeroplanes to earth. The Americans, not harrassed by war troubles during the earlier periods, succeeded, on October 23, 1915, in transmitting speech to the Hiffel Tower station in Paris, In 1928 more tests were made across the Atlantic, and on February 27, 1926, two-way conversation was held for the first time between Wngland and the United States, Exactly seven months later the trans-Atlantic wireless telephone service was opened to the public. It is interesting to note that this was 20 years from the time that Fessenden’s voice in America was heard in Scotland. Regular Broadcasting. B* this time entertainment was being broadcast regularly. The Ameriean ‘station KDKA was opened in 1921, but prior to this, and this is important, the Dutch had been broadcasting concerts regularly, and a time-table of them appeared in a British journal in June, 1920. Broadcasting in England started in the | Spring of 1922 with

20,000 licensed listeners. Now there are about 3,000,000. The public, who had killed Hugh’s ideas, disregarded Marconi, looked on Fleming’s and De. -Forest’s inventions as suspicious, and ° who had generally retarded the pro‘gress of radio, had realised its value and radio advanced. More scientists, experimenters, and amateurs have been attracted to radio in recent years than to any other science. This no doubt, coupled with its endless possibilities, made rapid progress inevitable. In the early 20’s of this century, most of the broadcasts were taking place on a waveband higher than 1000 metres, and everything below 200 was left for the amateurs to "play round with," as it was considered they could do no harm if kept well down, but the amateur has shown that they can be used, and, forthermore, that they are more successful than the longer waves. He has changed the whole character of broadcasts, and when driven from the 200 metre band, has been doing excellent work on the lower waveband, and it is due to him that commercial shortwave broadcasting as we know it, is now established. The broadcast listener to-night owes a debt to the amateur, and everything that can be done to help these enthusiastic members of the community will ultimately help the science of radio. No doubt before long they will show us & way to utilise the ultra short-wave commercially. When the valve was improved and found its way into broadcasting stations and receivers the development of wireless moved rapidly. Broadcasting proper had commenced. Armstrong had developed his famous regeneration circuit, Hazledean now patented a system of neutralised radio frequency stages, and other developments took place until the receivers which were used when broadcasting was first introduced into New Zealand were developed. During these last three or four years remarkable developments have taken place. The screen grid valve has made radio frequency amplification so stable that signals can be built up as strongly as atmospheric noises will allow, while pushpull and directlycoupled circuits, and moving-coil loudspeakers have brought reproduction nearly perfect. The mains set has made radio simple and reliable. And so we bring our talk about the romance of radio to the present day.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RADREC19301107.2.33

Bibliographic details
Ngā taipitopito pukapuka

Radio Record, Volume IV, Issue 17, 7 November 1930, Page 10

Word count
Tapeke kupu
2,368

How Broadcasting Grew from an Idea Radio Record, Volume IV, Issue 17, 7 November 1930, Page 10

How Broadcasting Grew from an Idea Radio Record, Volume IV, Issue 17, 7 November 1930, Page 10

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