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Tuesday, August 21

Os LO. WD © 25: 2 8 4, 4. 4, -~ ): APArt ROW een ee Ove cm i be 8.23: ctr AUCKLAND (333 METRES), TUESDAY, AUGUST 71. -p.m.: Afternoon session-Selected studio items, Literary selection by the Announcer. Selected studio items. Sports results. Close down. Children’s session-Uncle George. Song, The Farmer's Boy, "Tisten-ing-in" (Artchrop). Zecitution, Cousin Moya, "Johnny, Me and You." Letters and birthdays. Yuet, BFarmer’s Boy and Cinderella, "fhe Telephone Girl." Song, Cousin Moya, ‘Fairies’ Umbrellas" (Arundale). Sketch, Farmer's Boy, "The Rest of the Day’s Your Own." Stories. . News and market reports. : Book review. Chimes. Relay of orchestral overture from the Majestic Theatre Orchestra, under the direction of Mr. J. J. Whitford Waugh. : Baritone solo-Mr. John Hogan, "Wayfarer’s Night Song’ (Martin). : Instrumental trio-Auckland Trio, "Allegro" from "Trio in A" (MacFarren). | . Contralto solo-Madame Irene Ainsley, "Beloved, It Is Morn" (Aylward). 9°T:Plute solo (record)-"Air" from "Norma" (Bellini).. 831: Tenor solo-Mr. Claude Suisted, "Songs of Araby" (Clay). 8.35: 8.40: 8.55 : 8.59: 12: 21: Violin solo-Miss Ina Bosworth, "Minuet in G" (Beethoven). Talk-Mr. A. B. Chappell, M.A., "Old New Zealand: Makeut's Crime." Flute solo (record)-‘"Nocturne, Op. 9, No. 2" (Chopin). Byening forecast. Relay of musical interlude from Majestic Theatre. Soprano solo-Miss Nancye Hanna, "Lack a Day" ( Crampton). Instrumental trio-Auckland ‘Trio, selection from "Lohengrin" (Wagner). Excerpts from "Merrie England" (German), produced under the direction of Madame Irene Ainsley. The story of "Merrie England" is laid in the glorious days.of Queen Elizabeth, who, together with those famous personages of her reign, the Harl of Essex and Sir Walter Raleigh, appear in the opera, the scene of which is laid in the heart of medseval England, by the Thames, near Windsor. Cast: Bessie wesenncccceccceeecesee Miss Nancye Hanna Jili , Queen Plizabeth . ..+.......... Madame Ainsley Raleigh c.cccccccceseseces ceeeeeee Mr. ©. Suisted USSOX peaccevcccccccsacccvecs wee. Mr. J. Hogan Vocal quartet-"‘Love is Meant to Make Us Glad." Karl of Essex-‘*She Had a Letter from Her Love." Sir Walter Raleigh and Bessie-"When True Loye has o~ "Bound -a Maid." es a a

Earl of Essex-‘Who Were the Yeomen?" Chorus--"God Save Hlizabeth." Jill-O, Peaceful England." Quartet-"It Is a Tale of Robin Hood." Quartet-"In England, Merrie England." Sir Walter Raleigh and Elizabeth--"It is the Merry Month of May." Sir Walter Raleigh-‘Oh, Who Shall Say that Love is Cruel?" Finale-‘Robin Hood’s Wedding." 10.0: God Save the Wine. 2VA, WELLINGTON (420 METRES), TUESDAY, AUGUST 21. 8 p.m.: Chimes of the G.P.O. clock. 3.1: Selected gramophone items. 4,30 and 4.55: Sports results to hand. 5.0: Close down. 6.0: 4.0: TAO: 8.0: 8.1: Children’s session-Big Brother Jack,. assisted by pupils of Mrs. Martyn Williams and Mrs. Mildred Kenny. Opening song, Big Brother Jack. Mandolin and ukulele, Cousins Joyce, Kenneth, ‘and Kohe, "Marche des Petits Pierrots’: (Hudson). Recitation, Cousin Jean, "My Teddy Bear’ (MS.). Birthdays, Big Brother Jack. Guitar and ukulele, Cousins Naomi, Bernard, and Jack, "Sleepy Eyes" (Rogers). Monologue, Cousin Alison, "Cows and Fishes" (MS.). Mandolin and ukulele, Cousins Joyce, Kenneth und Kohe, "Hattie Waltz’ (Grennop). Story, Big Brother Jack. Monologue, Cousin Phyllis, "Little Mary Fawcett." Guitar and ukulele, Cousins Naomi, Bernard, and Jack, ‘‘Forget-me-Not." News session, market reports, and sports results. Lecturette-‘For the Man on the Land," by a representative of thé Agricultural Department. Chimes of the G.P.O. clock. . Descriptive overture-Orchestra, "Chal Romano" (Gipsy Tad), (Ketelby). This overture opens with a broad theme, (a) in the style of 2a Gipsy folk-song of strongly-marked character. A plaintive melody (b) which follows (given to the clarinet and oboe) sug: gests the sadness of the rejected lover; at (ec) the key changes to the Tonic Major, and the melody develops into a passionate love-theme. The Gipsy folk-song (d) suggesting Fate, inter. rupts the conclusion of the love theme, and leads into a dance tune (e), first played as violin solo and then developed at soma length, descriptive of the light-hearted nature of the Gipsy girl: the love-theme is now heard again (in a quicker tempo than previously) with scraps from the girl's dance tune interwoven in -it. A kind of recitative (f) for ‘cellos suggests the lover pleading with the girl, but the gipsy folk-song heard immediately after expresses the hopelessness of his appeal, and she dances way to join the Gipsy revels (g) which (with a final FF reference to the Gipsy folk-song just before the end) brings the over: ture to a conclusion. (a) "Andante pesante e rubato," (b) "Poco piu mosso."’ (c) "A tempo." (d) "Andante." (e) "Allegro scherzando." (f) "Andante quasi recitative." (g) ‘"Presto,’’ F enrinbeetiai-teecteraihetr innerepow nn rererrterinerecie rete aeernteieaed Tes temameberrtsntnietansatnierehordad ince oreo 2 oe

8.8: 8.11: 8.19: 8.25: 8.37: 8.40: 8.46: 8.49: Co Sd ket pod COD foot Ct CU RD ee ee OD OOD HH ioe) 9.28: 9.36: 9.39: 9,49: 9.55: 9.58 : Vocal quartet-Orpheus Quartet, "When the Budding Bloom of May" (Sullivan). Violin and piano solo-Miss Ava Symons and Mr. Gordon Short, "Sonata for Violin and Piano" (Dohnanyi). Humour-Mr. Doug. Stark, (a) "A Drama" (Harris); (b) "The Tobermory Treasure" (Cairns). Suite romantique-Orchestra, "Reveil d'Amour" (Ketelby). Contralto solo-Miss Lily Mackie, "Lie There, My Lute" (MeGunn). Trios--Palmer’s Hawaiian Trio, (a) "Red Lips, Miss My Blues Away" "(Dixon and Stept); (b) "Coral Sands of Hawaii" (Heagney). Tenor solo-Mr. Arthur Coe, "Star of My Soul" (Jdénes)." Instriimental-The Orchestra, "In a Persian Market" (Ketelby). ) The camel-drivers approach gradually-the cries of beggars for "baéeksheesh" are heard-the beautiful pripcess enters, carried by her servants (she is represented by a theme given at first to clarinet and ’cello, then repeated by full orchestra. She stays to watch the jugglers and snake-charmer. The Caliph now passes through the market and interrupts the entertainment-the beggars are heard again-the princess prepares to depart, and the caravan resumes its journey. The theme of the princess and the camel-drivers is heard faintly in the distance, and the market-place becomes deserted. : Soprano-Mrs. Alice Harris, "Far Away Lies a Land" (Thomas). : Weather forecast. Instrumental-The Orchestra, request number. | Vocal quartet-Orpheus Quartet, "Zealandia" (Carr). * : Trios-Palmer’s Hawaiian Trio, (a) "Hawaiian Memories" (Heagney) ; (b) "Who?? from "Sunny" (Kern). : Baritone solos-Mr. Len. Barnes, (a) "Eternal Youth" (Carr); (b) "Hedger and Ditcher" (Carr); (c) "The Stork" (Carr); (d) "The Open Roadway" (Carr). Instrumental-The Orchestra, "By the Blue Hawaiian Waters" {Ketelby). After a short, dreamy introduction a vigorous movement illustrates the Well-known Hawaiian "Hula Dance." This is succeeded by a mysterioso passage, representing the arrival of the native lover. He plays his native love-call (given by the clarinet), which is then taken up by the violin, ete. This leads into the "Song of the Hula Girl." It gradually dies away, and is succeedéd by the:,""Dance of the Betrothal Ceremony," which brings the piece to a lively conclusion. (a) "Hula Dance," (b) "The ‘Kanaka’ Lover Appears." (e). "Song of the Hula Girl." (d) "Dance of the Betrothal Ceremony." Vocal duet-Mrs. Alice Harris and Miss Lily Mackie, "O, Wert nou in the Cauld Blast?’ (Mendelssohn). Instrumental-The Orchestra, "Musical Jig-Saw’" (Aston). Humour--Mr. Doug. Stark, "Could Lloyd George Do It?" (Lee). Vocal duet--Mr. Len. Barnes and Mrs. Alice Harris, "Oo Loves Oo" (Talbot). Instrumental-The Orchestra, dance numbers. 3YA, CHRISTCHURCH (306 METRES), TUESDAY, AUGUST 21. SILENT DAY.

4YA, DUNEDIN (463 METRES), TUESDAY, AUGUST 21. 3 p. m.: Town Hall chimes. : Gramophone recital. | : Social notes and news. ; 2 }: Studio music. cH be PO ) oO ho bo o> 02 oN So tO CUR WS DD HHH MHm CF Pe eM 2 OOK ed a lone) Dee ed o i) Address on "Art Needlework," by Miss Marguerite Puechegud (under the auspices of the King Edward Technical College). : Gramophone music. : Close down. Town Hall chimes. Children’s session-Big Brother Bill. Greetings and "Happy Folks’ Anthem." The musical part of the programme will be provided by the South Dunedin Young Men's Orchestra. : News session. , Address on "Tourist Resorts," by Mr. R. W. Marshall, the Government Tourist Office. Town H&ll chimes. Concert by the St. Kilda Band, under the conductorship of Mr. James Dixon, and assisting artists. March-Band, "Boulder City" (lume). Contralto solos-Miss Wyn McPeak, (a) "Lie There, My Lute" (MeSunn); (b) "When Song is Sweet" (Sans-Souci). : Recital-Mr. Erie Hebden, "Hindoo’s Paradise." : Cornet solo (with band accompaniment)-"In a Monastery Garden" (Ketelby). : Baritone solo-Mr. R. B. Macdonald, "The Riderless Steed" (Hue sell). : : Soprano solo---Miss Bertha Rawlinson, "Sweet and Low" (Johnson). : Selection-Band, "Lucia dia Lammermoor" (Donizetti). : Tenor solos-Mr. Chas. BEdwards, (a) ."I Wept, Beloved" (Hume) $¢ (b) "Five Little Piccaninnies" (Antony). : Recital~-Miss Madge Yates, "Infant Prodigies."’ : Waltz-Band, "Casino Tanze’" (Gungl). : Weather forecast. Bass solos-Mr. E. G. Bond, (a) "Lhe Trumpeter" (Dix); (b) "Out of the Deep I Call" (Martin). . Humorous sketch-Miss Madge Yates and Mr. Eric Hebden, selected. : Cornet and euphonium duet (w ith band accompaniment )-‘Sweet Spirit, Hear My Prayer." : Contralto solo-Miss Wyn McPeak, "Break, Break, Break" (Carey). : Baritone solos-Mr. R. B. Macdonald, (a) "Coalin’" (Anon.); (b) "Nivana"’ (Adams), : Fantasia-St. Kilda Band, "Military Church Parade" (Hume). : Soprano solos-Miss Bertha Rawlinson, (a) "Pokarekare" (Hill) ¢ (b) "You’ve Got Your Mother’s Eyes" (Drummond). : Humorous recital-Mr. Eric Hebden, "Love and Arithmetic’ (Rose). : Hymns-Band, (a) "Fierce Raged the Tempest’; (b) "Abide With Me." : Bass solo-Mr. KE. G. Bond, "A Sargeant of the Line" (Squire). : Recital-Miss Madge Yates, "Blind’ (Galsworthy). : March-Band, "The Umpire’ (Greenwood). : God Save the King.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RADREC19280817.2.48.3

Bibliographic details
Ngā taipitopito pukapuka

Radio Record, Volume II, Issue 5, 17 August 1928, Page 17

Word count
Tapeke kupu
1,503

Tuesday, August 21 Radio Record, Volume II, Issue 5, 17 August 1928, Page 17

Tuesday, August 21 Radio Record, Volume II, Issue 5, 17 August 1928, Page 17

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