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The Frequency Tests—Some Notes in Explanation

By

W. J.

Bellingham

5. i HHUHHARERHANHUNUMRAH BBE BAB nk ft 2 LARGE number of letters ¥, ieee have becn reccived from lisee Wi toners giving their cxperiBoon, Wa; cnecs in the reception of the e w frequency test, and many of these ask for explanations * on various points. ~ In the folowing notes Mr. Bellingham covers the groun" of these questions. (THE test dealt with frequencies up to 16,000, the 80,000 frequency being put over in the form of a novelty. It was not expected that 80,000 would be received by any loudspeaker, and it is a frequency not essential to music. The frequencies from 10,000 to 16,000 represcent those of the highest overtones in ty} \ EY f' ohidstit. MARURRUORCUANOMEORUMNMEME imarteR PRT RAT REMRRMRDRHAEAUROD SS music, and they would naturally be heard = = only very softly, and are not absolutcly = = essential to good reception, being pres- == ent in only a few of the very highest = = tones on certain instruments. A number — + of people have received these frequencies, ‘but they would naturally receive them. very faintly, and their reception would merely indicate a very sensitive and responsive speaker, which could be relied upon for a most accurate reproduction of timbre. : pal Since approximately 4,000 repre- = sents the highest fundamental in music = a listener would understand that these = notes would bound to be softer in fre- = quencies above 4000 or 5000 ‘for the = reason that these frequencies represent = overtones only, which are of course much = softer than fundamental tones. Any = speaker which received frequencies from = 4000 up to 9000 or 10,000 with decreasing intensity, could be relied upon faithfully o reproduce practically the whole of the musical scale in almost every instrument. ULL volume would not be heard much above 8000 and though frequencies eheve this number were put out with -t HU HHGERUHHIH ROOM BT BRBOT HABIT GRNAHTBHARNAHHA RAR ATANANAE

equal volume by the station, they would be heard less loudly by listeners, for the reason that neither the speaker or ‘the human ear would have the same capacity to respond to these vibrations. The most commonly misunderstood feature of the test is the meaning of the term quality or timbre. The timbre or characteristic quality of the notes, is that which distinguishes one instrument or voice from another. If the frequencies which represent overtones are not

heard, then the tone is not more impure but is actually purer but less characteristic and more monotonous and dull, that is to say each tone will have a more or less similar quality. A USUALLY well-informed and capA . « . able on question, assumed that the lack of high overHHHH HIRI MUIA HHA A DHMH HOTU AA AR AH HMA MAG RHARABRRH AT AUAOMT AT

tones would give more or less of a #ramophone quality. This is of course entirely wrong. The lack of overtones would give a purer quality, but no character. The peculiarity of the quality of a gramophone or a loudspeaker to which this writer refers, is obtained not. from the lack of high overtones, but from the association of regular musical vibrations with irregular vibrations which represent noise. hese irregular vibrations or noise come from many very different sources, such as from the needle scratching on the face of the record, or from the . irregular vibration of -various mechanical parts of the gramophone or the loudspeaker, or from the manner in which the electric current is handled. PROM our reports, we find that the average loudspeaker has accepted with even volume frequencies somewhere in the region of 3000, and among better results fading intensities have been received in many cases up to 8000 or 9000 only a very few having received anything beyond 10,000. It will be clearly understood that it is not necessarily the speaker alone that is responsible for these results, but that the efficiency of the speaker depends also on the whole audio circuit, The matter of the matching of the audio cirenit and the loudspeaker will be the subject of further articles in the "Radio Record." ia ede Gi ' ' ih JA ' ‘ ARERRRUARESRERRREEDRA STE RBHRE lf HA ddd ' a HOTEL GAGE RECERHE RAUBER ROBT OBERRGGHUBRURTER fh tH nae iy: 20.0) ‘ VENERURUE fi ~ > — = rAd -_- Pen = try — ya wee a ca poe oe -_- =e as — oe — ° = — "or ae ang se 4 on ee a -~ 2 bese} pos) — — wee -- ! : i FS HHH PEE HEH PE $ i

ee ES Tee A very large number of coupons and replies have been received by both the Company and the "Radio Record," in connection with our offer of a guinea prize for the best coupon and most informative letter. This matter is being ELA EE carefully perused, but it is so voluminous = that it is impossible, in justice to com- = petitors, to make an award this weck. == ! H -~-Hditor, "Radio Record." = + ew OMORHRCHHRANA THEN AHTARNROUN TURN TH RHRRBRRORERORRC RARER NNR R ATER rps fill

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/RADREC19280810.2.2

Bibliographic details
Ngā taipitopito pukapuka

Radio Record, Volume II, Issue 4, 10 August 1928, Unnumbered Page

Word count
Tapeke kupu
813

The Frequency Tests—Some Notes in Explanation Radio Record, Volume II, Issue 4, 10 August 1928, Unnumbered Page

The Frequency Tests—Some Notes in Explanation Radio Record, Volume II, Issue 4, 10 August 1928, Unnumbered Page

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