Robust Shoemakers
| HAVE read Dekker’s The Shcemaker’s Holiday more than once for "professional"? purposes and a few years ago saw a University production of the play. I must confess that I have always thought it something of a bore, with that kind of fill-up-the-ale-cans-ho-Jolly-Jenkin Elizabethan humour’ which couldn’t have been very funny even then, and a crude mixture of boisterous noisiness and improbable romance which Shakespeare barely gets away with. But the BBC radio version struck the scales from my philistine eyes. Spirited playing can do much for an indifferent play, but it can’t make a silk purse out of a sow’s ear. This World Theatre productidn, if not a silk purse, was a pretty good nylon one, vigorous, robust, goodhearted and affectionately human, Perhaps Raymond Raikes’s adaptation had removed some of the longueurs of the (continued on next page)
Elizabethan text but I am inclined to give major credit for the success of the radio play to Sir Donald Wolfit’s fullthroated, full-blooded, full-bodied Simon Eyre, the shoemaker-mayor, as open as the day, as straight as a die and as mellow as pre-chemical British beer. Another fine addition to his formidable list of memorable radio impersonations this broad piece of playing by Sir Donald brought Dekker’s tradesman’s comedy dazzlingly to life in a way I feel the ordinary joker would be quick
to respond to.
J.C.
R.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19591030.2.23.1.2
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New Zealand Listener, Volume 41, Issue 1053, 30 October 1959, Page 16
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227Robust Shoemakers New Zealand Listener, Volume 41, Issue 1053, 30 October 1959, Page 16
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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