MORNING SERIALS
Sir,-I read with interest "Parihauhau’s" comments on Dr Paul. I must be one of the few men in the country who can claim to have heard two instalments of Dr Paul right through. Each time I was alone at home, standing on a chair which stood on a table, painting the living room ceiling. Everyone has his or her own theory as to why Dr Paul is put on the air. My wife thinks it is a device @ncouraged by the welfare state for driving women off to their household tasks and keeping men out at work. I am inclined to the more obvious view that it is just what it purports to be-a powerful advertising medium. Between the announcement of "radio’s great story of adult love" and the story itself are a few moments of reprieve, during which the advertising comes across. Relieved and grateful lis-
teners, as they walk over to switch off or to another programme, are just in the mood to accept this message -for the respite it grants them. Of course a simple explanation might be that it is just something put on by the caretaker or tea-lady while the staff of the station are having their morning break. This is borne out by the impression I gained that every instalment of Dr Paul is possibly just the same as every other instalment (as your correspondent says, about murder, blackmail, bribery, arson, double-crossing and unmitigated lying on-stage, or in retrospect or in prospect). Notes could be compared, listeners (who should say, as a matter of interest, how they came to listen to an instalment) pooling information on what they heard and when.
WALTER BROOKES
(Wellington).
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19591016.2.17.3
Bibliographic details
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New Zealand Listener, Volume 41, Issue 1051, 16 October 1959, Page 11
Word count
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282MORNING SERIALS New Zealand Listener, Volume 41, Issue 1051, 16 October 1959, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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