ANSWERS TO CORRESPONDENTS
Skipple (Takaka): Thank you. Will make inquiries. Gobbledygook (Kamo): Afraid too discursive. G. F. Holibar (Auckland): (1) You overlook the fact that most of the programmes you dislike are recorded and distributed by British companies, not American. (2) If you refer to NZBS productions, the output of the studios is as high as producers, casts, choice of scripts, and technical resources will allow, if standards are to be maintained. If you refer to the New Zealand Players, that company is generally touring its own plays, which cannot be successfully broadcast from the stage. When members of the company are not required for a tour, th pay A take innee engagements with NZBS Productions tion. ee re
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570927.2.19.10
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New Zealand Listener, Volume 37, Issue 946, 27 September 1957, Page 11
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119ANSWERS TO CORRESPONDENTS New Zealand Listener, Volume 37, Issue 946, 27 September 1957, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.
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