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History or Not

[VE heard only two of Sarah Campion’s Good Reading talks in Feminine Viewpoint’s The Admirable Criterion series, but I have enjoyed their calculatedly provocative character. Miss Campion’s brisk, commonsensical manner, her neat turn of phrase, and her high standards all appeal to me. Her talks have clearly been directed not so much at the selective reader, as at the reader-for-leisure, the libraryborrower, the "something decent for the weekend" type; and in such a context (YA rather than YC) this seems appropriate. In her last talk, she dealt trenchantly with period fiction, the hip-thigh-bosom school of fake-historical novels, written with one eye on Hollywood and the other on readers waiting to be titillated with sex and sadism in fancy dress, This was admirable, but, by contrasting this school with only Victorian novelists, she left, I felt, the unfortunate impression that there are no good historical novels being written today, and that readers should go back to Thackeray and George Eliot for the dinkum stuff. In the face of Alfred Duggan, Hope Munz, H. F. M. Prescott, the early Robert Graves, Marguerite Yourcenar (whose Hadrian I'd back against Romola any day) and Zoe Olden- bourg, to name a few, this was unfortunate. But, at least, this talk must

have pricked many consciences.

J.C.

R.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19570906.2.12.4

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 37, Issue 943, 6 September 1957, Page 8

Word count
Tapeke kupu
215

History or Not New Zealand Listener, Volume 37, Issue 943, 6 September 1957, Page 8

History or Not New Zealand Listener, Volume 37, Issue 943, 6 September 1957, Page 8

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