Chekhov and Branch Water
WE have now had on radio both of N. C. Hunter’s imitations of Chekhov. I think I prefer A Day by the Sea, broadcast last’ Monday, to the later Waters of the Moon, chiefly because it seems to strain less after melancholy and literary nostalgia, and to achieve genuinely poetic overtones, where the other play is trite. The grouping together of frustrated and self-deluced people with empty lives hardly makes for cheerful entertainment; yet the serious and. sensitive playing of the NZBS cast left behind not depression but a sense of character explored and humanity vindicated. In roles "created," as I believe the jargon goes, by Sybil Thorndike and John Gielgud, Davina Whitehouse and William Austin played with exactly the right nuances, But I felt that Michael Cotterill, as William Gregson, made the deepest impression, especially in his scene of maudlin selfpity. A play of this kind-contrivance masked by delicate character-balance-seems just right for radio; Roy Leywood’s adaptation kept all the flavour of the original. But how very much better the Russians do this sort of thing -and how faintly but unmistakably dated the characters appear beside the tail-chasing types of Messrs Osborne, Amis and Wain.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570802.2.47.2
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New Zealand Listener, Volume 37, Issue 938, 2 August 1957, Page 30
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200Chekhov and Branch Water New Zealand Listener, Volume 37, Issue 938, 2 August 1957, Page 30
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.