LOVE ME TENDER
(20th Century-Fox) G Cert. | SINCE Elvis Presley is clearly meant to be its special attraction, Love Me Tender starts surprisingly as a modest and quite enjoyable piece about the return of three brothers from the American Civil War. It’s also of special interest as CinemaScope in black and white. This is very successful, for like many pieces that have been inflated by the full treatment, this one would have seemed pretentious in colour. Once the film leaves the farm where Vince Reno (Richard Egan) has found his sweetheart (Debra Paget) married to his younger brother (Elvis Presley)-a triangle that’s quite well handled- it’s much less satisfactory. Mr Presley is a rather unaftractive youth, but as a singer he’s tuneful, lively and not unpleasant, so long as the camera stays above waist level. His extraordinary gymnastics are another matter, and i you aren’t amused you may be shocked. I shan’t mount any moral high horse about it, but Jane Russell in The French Line didn’t get away with anything half so vulgar or suggestive. |
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570719.2.35.1.4
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New Zealand Listener, Volume 37, Issue 936, 19 July 1957, Page 21
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176LOVE ME TENDER New Zealand Listener, Volume 37, Issue 936, 19 July 1957, Page 21
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.