Roadhouse Returns
[AST year’s reports that Radio Roadhouse was to cease as Barry Linehan departed for pastures new have fortunately proved to be premature. The first show of the new series came with something of the familiar glow of expectation that. a new season of TIFH
(C) Punch used to arouse. On the whole, the programme justified the widespread impression that Radio Roadhouse is the most acceptable and durable radio comedy feature ever dreamed up in this country. There were some weaknesses. I felt that one falsetto voice would have been more than enough, without three, that Barry Linehan sounded a trifle jaded, and with an American overtone I hadn’t heard before, and that the timing wasn’t always crisp. But these roughnesses, I am sure, will soon be smoothed away. The opening script showed advances over earlier ones-an integrating idea rather than a series of short bits, and more sharply realised characterisation. And the Dad and Hori interlude-for many, the gem of RRwas a real delight. The only thing that puzzles me is that the NZBS hasn’t yet got round to the idea of a repeat weekly at a more comfortable time than late on Wednesdays.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570705.2.12.5
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New Zealand Listener, Volume 37, Issue 934, 5 July 1957, Page 8
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196Roadhouse Returns New Zealand Listener, Volume 37, Issue 934, 5 July 1957, Page 8
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.